This paper focuses on works related to the collected writings on French history by Wang Tao (1828-1897), a native of Shanghai, at the end of the nineteenth century. It discusses the history of his production, propagation and reception, and places considerations of his life and works in a broad framework of transcultural exchanges and dialogue, to reconsider and emphasize how he took on the important attribute intermediary figure for different countries, regions, languages and cultures. Next, the intense contemporaneity of Wang Tao's awareness is shown in his historical works, in terms of how he interjected an abundance of dialectical elements into late nineteenth century in East Asian modernity, and how he created a new type of writing format for modern historiography. His excellent mastery of style of writing that took one country as central focus, then showed the complex international struggles and world dynamics, totally reveals the multifactorial view of a rich, changing world scene held by the late Qing, "maritime intellectual circle," that provides a chance to reflect on the difficult transition to modernity, in the subjectivity and construction of the self, made by gentlemen of traditional culture on their way to becoming modern intellectuals.