手稿研究的視野、方法及策略

作者親自書寫在紙張上的原稿，不管是完整的文學作品或學術著作，還是未定稿或零星資料（書信、日記、檔案、文件），都可作為研究對象。作者生前沒有公開發表／出版，只以手稿形式存在的「書寫」，固然十分難得；作者生前已經出版，但手稿依舊存世，可供研究者校勘、研究的，同樣值得我們珍視。考慮到複制技術日漸成熟，大量手稿影印刊行，研究者不一定蹲守博物館或檔案館，也可在自家書齋裏日夜摩挲，故從事手稿的甄別、校勘與研究，或將成一種文學史家的基本訓練。本文著重論述「政治遺產與書法藝術」、「拍賣價與名譽權」、「手稿的學術價值」、「手稿的鑒定與研究」等四方面的問題。

關鍵字

手稿；手稿鑒定；手稿拍賣；手稿學

並列摘要

Handwritten manuscripts of an author, whether they are complete literary/academic works or developing/scattered writings (such as correspondence, diaries, archival texts, and formal documents), can be treated as a subject of studies. The unpublished texts that only exists in the form of manuscript after an author's passing are, without a doubt, most valuable, but even the manuscripts of published materials, if available, deserve our attention. With the advancement of technology, more and more manuscripts reproduced and published, so that researchers can have easy access to them at their own time and place, without having to organize lengthy stays at a museum or archive. Integrating manuscript studies-including the screening, emendation, and analysis of manuscripts-into foundational training for literary historians has, thus, become viable. The present paper is approaching this issue from four main perspectives, namely ＂political legacy and calligraphy,＂＂auction price and reputation rights,＂＂academic value of manuscripts,＂ and the ＂authentication and studies of manuscripts.＂