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王維涉「海」詩蠡探

The Study of Wang Wei's Poems about Sea

摘要


唐詩是中國古典詩歌發展的最高成就,不僅創作者眾、創作數量多、作品水平高,隨著海洋航線的漸次開通,海洋活動地逐漸興盛,唐代也成為「海洋活動的高峰」之起點。身為盛唐詩壇盟主、被皇帝譽為「一代文宗」的王維,是否曾借「海」意象之詩詞創作,表達渲染大唐之恢弘、盛世之開闊?本文擬設定於《全唐詩》中,檢索王維以「海」為意象之詩句,探討作者借助海洋意象的形式與轉化抒發情感,體現作者所經驗的外在環境與內在世界互動的結果、映現詩歌中的海洋意象。

關鍵字

王維 海洋 意象

並列摘要


Tang poetry is the highest achievement in the development of Chinese classical poetry. Not only is there a large number of creators, a large number of creations, and a high level of work, with the gradual opening of ocean shipping routes, ocean activities gradually prospered, and the Tang Dynasty also became the starting point of "the peak of ocean activities." As the leader of the prosperous Tang Dynasty poetry world and praised by the emperor as "a generation of literary ancestors", did Wang Wei create poetry with the image of "sea" to express the magnificence of the Tang Dynasty and the openness of the prosperous age? This article is intended to be set in "The Poems of the Tang Dynasty", searching Wang Wei's verses with "sea" as the image, discussing the author's use of the form and transformation of the ocean image to express emotions, reflecting the result of the interaction between the external environment and the internal world experienced by the author, and reflecting the poetry of the image of the ocean.

並列關鍵字

Wang-Wei Image sea

參考文獻


江雅玲(1999),《文選贈答詩流變史》,臺北市:文津出版社。
周慶華(2009),《文學詮釋學》,臺北市:里仁書局。
柳和勇(2006),《舟山群島海洋文化論》,北京市:海洋出版社。
陳宣諭(2011),《李白詩歌海意象》,臺北市:萬卷樓。
張隆溪(2014),《闡釋學與跨文化研究》,香港:三聯書店。

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