A Brief Analysis of the Development History of Chinese Confucian Music Aesthetic Thoughts

Yu Xiong

《International Journal of Social Science and Education Research》 2卷11期 (2020/01) Pp. 54-55

https://doi.org/10.6918/IJOSSER.202001_2(11).0010

摘要

Chinese traditional music culture with a long history, is broad and profound. All kinds of music aesthetics thoughts are prosperous and bright in the long river of history, which has a great influence on the formation of Chinese music aesthetics thought system. Throughout the history of the development of the world's musical aesthetics, the developmental history of Chinese musical aesthetics has displayed distinct and unique aesthetic features, and many schools of musical aesthetics have appeared, such as Confucianism, Taoism, legalism, Zen, yin-yang and so on. After a long period of collision and integration, the various schools were generally accepted and absorbed by Confucianism and Taoism. In particular, the Confucian music aesthetics has always occupied an important position in the Chinese music aesthetics, from the pre-Qin period to the present. The idea of Confucian music aesthetics was initiated by Confucius, and gradually matured through the inheritance and development of Mencius and the enrichment of Xunzi.

關鍵字

Chinese traditional music culture ； Confucianism ； development of Chinese music aesthetics

參考文獻

"The History of Chinese Music Aesthetics (Volume 1). Cai Zhongde. People's Music Publishing House 2004-1-1.

"The Confucian Musical Aesthetic Thought and Its Influence on Ancient Chinese Music". Zhang Xiaohu. Journal of Southwest University of Science and Technology (Philosophy and Social Sciences Edition) 2010, No.3.

"History of Chinese Music Aesthetics (Volume 1)". Cai Zhongde. People's Music Publishing House 2004-1-1.

"And Chinese Classical Aesthetic Ideals". Yuan Jixi. Renmin University of China Press 1989-1-1.