- 期刊
The Romantic Writing and Ethical Imagination of the Rural Movie Crossing the Border‐Zhaoguan
摘要
Taking ＂on the road＂ as a clue, the rural movie Crossing the Border‐Zhaoguan contrasts the city from the perspective of the countryside, expressing life and death. On the one hand, the film presents the rural landscape through the visual form of returning to the original nature and extends the possibilities of the rural landscape. On the other hand, the narrative of film abandons the commercial logic of rebellion, sensationalism, and flow. Instead, it romanticizes the propositions of generations, life and death, and good and evil in the film, and responds with simple expressions to the ethical thinking of major propositions.
參考文獻
Yang Haoci. The imagined homeland: the social dimension and aesthetic purport of domestic rural films, Movie Review, Vol. 13(2020), p.24-27.
Zhu Fangchang, Li Hongqiong. An Analysis of the Economic Function of the Local Culture Tradition[J].Seeker, Vol.12(2005), p.55-57.
The 24th blink. Director Huo Meng: What I value is the logic of life
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