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  • 期刊

On Differences Between Chinese and Western Culture as Shown in the Images of Chinese Female Ghosts and Vampires

摘要


Both vampires and Chinese female ghosts are imaginary beings from folklore, but they bear different images in literary works. Based on the vision that man is an integral part of nature, Chinese people seek harmony between man and nature, which generates a romantic relationship between man and female ghost in traditional folk tales. For another, the images of vampires have been omnipresent in western literary fictions, whose appearance and image are closely related to Christian doctrine and European humanism. This paper describes the literary image of vampires and Chinese female ghosts respectively, and analyzes the relationship between human and ghosts by comparing the differences between Chinese and western ghosts. It reveals that the differences of human‐ghost relationship actually reflect differences between Chinese and Western religious culture and philosophy thoughts.

參考文獻


Lauren Pinkerton: Archiving Dracula: knowledge acquisition and interdisciplinarity, Nineteenth-Century Contexts, Vol.43 (2021) No.4,p.417-432.
D.U. Gao, and Zeng, Y: Ghost Culture, Face Culture and Illusion of Demand-A Cultura Perspective of Pension Real Estate, American Journal of Industrial and Business Management, Vol.3 (2017) No.7, p.160-169.
Xin Jiang: A Glimpse of the Difference Between the Concept of Life and Death in Chinese and Western Man-Ghost Love Stories, Journal of Chinese, Vol.3 (2007) No.3, p.144-145.
Brodman, Barbara and James E. Doan, eds. The Universal Vampire: Origins and Evolution of the Legend (Madison: Fareleigh Dickinson UP, 2013 ), p. 249.
M.L. Wang: The Study of Alien Marriage Story of Zhiguai Fiction in Wei Jin Southern Southern Northern Southern Dynasties. (M.D., Northwest Normal University, China 2013), p.36.

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