探討粵劇藝術的林派唱功

A study of the vocal techniques of Cantonese Opera grandmaster Dr Lam Kar Sing

劉國瑛(Martin Lau) ； 周振基(Setphen Chow)

《PA:PER (Performing Arts: Practice, Education and Research)》 01 (2021/12) Pp. 111-134

https://doi.org/10.29877/PA_PER.202112_1.0008

摘要

粵劇是廣東最大的傳統戲曲劇種，又稱「廣府大戲」，以粵語唱唸表演，透過「唱、唸、做、打」的技巧來表現戲劇內容，於2009年獲聯合國教科文組織列入「人類非物質文化遺產代表作名錄」。粵劇宗師林家聲博士博取眾長，經過「研、練、演、變」，形成「林派藝術」，在粵劇表演藝術上影響深遠。本文透過整理林家聲博士口述資料以及透過《玉梨魂》一曲，探討及分析「林派藝術」的唱功特色和技巧。

並列摘要

Cantonese Opera is the largest among traditional Chinese Opera genres in Guangdong and is sung and spoken in Cantonese. Theatrical contents are expressed through singing, speaking, acting, and martial arts. In 2009, it was inscribed onto the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Dr Lam Kar Sing, a Cantonese Opera grandmaster, formed his school of art, researching, practicing, performing, and transforming, drawing upon the best examples of different genres. He has had extensive influence on Cantonese Opera. This paper aims to discuss and analyse the vocal techniques in Dr Lam's school of art based on oral data from Dr Lam and the song Yulihun (or Jade Pear's Spirit).