從梅洛龐蒂現象學析論《毛月亮》

《毛月亮》是2019年由「雲門2」藝術總監鄭宗龍所創作之舞作，透過舞者身體動作的轉化、LED螢幕與舞者的互動，從人類最原初的身體感知，到人性與科技間的思考，將人們崇拜科技、深陷科技的樣貌顯現於觀者面前，卻也反映出人類最原始而狂野的本性。梅洛龐蒂（Maurice Merleau-Ponty, 1908－1961）是一位法國現象學家，其思想深受胡塞爾（Edmund Gustav Albrecht Husserl，1859－1938）和海德格（Martin Heidegger，1889－1976）影響，強調「知覺」（perception）是以身體為基礎的具體的存在，提出「肉身」（Leib）主體論的概念，強調世界便是人類知覺到的空間與時間的概念，是通過肉身被認識到的一種原始本能的存在。鄭宗龍在創作過程中試圖讓每個舞者找到其生活經驗上的連結，找到身體「動」的動機，從現今充斥科技的生活中，希望人類的肉身能再次被看見與重視，身體便成了表達存在的主體。鄭宗龍提及：「在舞蹈的過程中，整個世界的建構都來自於他們自己（舞者）」。研究者以「知覺」作為感官經驗的真實理解與肉身主體概念，作為切入《毛月亮》舞者的肉身與感知的交互關係之論點，透過知覺的肉身概念與生活世界聯繫，找到舞者肉身存在的現象本質，同時探討舞者、影像及觀者之間的相互關係。

關鍵字

梅洛龐蒂；知覺；肉身；可見與不可見；身體；當代舞蹈；《毛月亮》

並列摘要

"22° Lunar Halo" is a dance work by Cheng Tsung-lung in 2019. Through the transformation of dancers' body movements, the interaction between LED screen and dancers, from the original human body perception to the thinking between human nature and technology, show the people's worship of science and technology and their deep immersion in science and technology in front of the audience, but also reflects the most primitive and wild nature of original human. Maurice Merleau-Ponty is a French phenomenologist, whose thought is deeply influenced by Husserl and Heidegger. He emphasizes that perception is a concrete existence based on body, puts forward the concept of leib subjectivity, emphasizes that the world is the concept of space and time perceived by human beings, and a primitive instinct recognized through the body. In the process of creation, Cheng Tsung-lung tries to let every dancer find the connection of his life experience and the motive of his body "moving". From the life full of science and technology, he hopes that the human body can be seen and valued again, and the body becomes the main body to express the existence. He said: "In the process of dancing, the construction of the whole world comes from themselves." It can be seen that phenomenology has a relationship with human body experience. Researchers take Merleau-Ponty's phenomenology concept as the interactive relationship between dancer's body and perception in "22° Lunar Halo". Through the connection between perception's body concept and life world, they can find the phenomenon essence of dancer's body, and explore the mutual relationship among dancers, images and audience.

並列關鍵字

Merleau-Ponty ； perception ； leib ； body ； contemporary dance ； 22° Lunar Halo

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