情不自禁，同言無忌：以當代臺灣歌仔戲《斷袖》試論性／別議題的編創演繹

一心戲劇團《斷袖》開創當代戲曲同志情愛之題材及旨趣，三度復於舞臺演出並獲得頗多稱譽迴響，顯見近年社會對於性／別議題的關注及探討聲量愈加顯著。本文溯自《漢書．佞幸傳》漢哀帝劉欣不欲驚擾董賢沉眠而斷袖之本事，析理《斷袖》如何自史實發想情節，融貫「鳳凰」崇高不渝的愛戀信念而鋪綴全劇，勘破當代社會視為禁忌的同志情誼，以愛為名、以表演為形制呼應性／別平權的精神意趣。本文探究《斷袖》之要點有三：其一，檢視《斷袖》的編創手法與演繹得失，有益於戲曲題材及其主題意識的拓展；其二，研析帝王寵佞致使朝政動盪的因果關係恐是為帝王治國失能卸責，將此欲加之罪粉飾成江山與美人不能兩全而引人歌泣的悲劇窠臼；其三，以雙性戀觀點看待史實，辯述《斷袖》自「異中求同」而探尋社會對於性／別議題的共識，雖聞其聲但同志仍須努力。

關鍵字

一心戲劇團；自我揭露；跨性別；雙性戀

並列摘要

Yi Xin opera troupe's, "Duan Xiu," introduces homosexual romance into contemporary drama. Its third run on the stage had garnered many accolades and reactions, which indicates that there is a seemingly growing interest in and discussion of gender and sexuality issues in recent years. This study traces the origins of the opera to the "Book of Han: Ning Xing Biography," in which Liu Xin, or Emperor Ai of the Han dynasty, "uses his sword to cut his sleeve" in order to move away from his lover, Dong Xian, without awakening him. It examines how "Duan Xiu" was developed from a historical fact and subsequently integrated with the unswerving love and faith of a "phoenix" for the composition of the entire drama. Furthermore, the study explores the deconstruction of the contemporary taboo of homosexuality by the opera and considers the resonating message of equality presented by the opera in the name of love and performance. The present study explores three main aspects of "Duan Xiu." First, the study examines the production methodology, the interpretative advantages and disadvantages, and the benefits of these factors for the development of the operatic genre and awareness of the raised issues. Second, the study analyzes the instability of a country due to the abdication of duty by the king rather than interpreting the relationship between the king's favor and a sycophant as causal and a straightforward tragedy that revolves around the notion that the king cannot have both his country and his love. Finally, this study considers historical facts from a bisexual perspective and argues that "Duan Xiu" searches for common ground among perceived "differences" to find a consensus on the issue of sexuality and gender; however, homosexual comrades must still work harder.

並列關鍵字

Yi Xin opera troupe ； Self-disclosure ； Transgender ； Bisexuals

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