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  • 會議論文

當代客家歌謠表演藝術「歌、舞、劇」的運用-以《廿五且歌行》客家歌舞劇為例

The Application of Various Performance (Music, Dance and Playlet) in Contemporary Hakka Folk Music Performing Art: The Case Study of the Taiwan Hakka Chorus' 25th Anniversary Hakka Musical

摘要


「寧賣祖宗田,莫忘祖宗言」。兩句客家先祖留下的祖訓金言,說明客家人對自己族群文化傳承的重視。1988年,政府宣佈解嚴之後的第二年12月28日,由客家社團和客家鄉親代表一同發起「還我母語運動」,喚醒社會大眾對客家語言、文化的重視,該運動的主要訴求為:「全面開放客語電視節目、修改《廣播電視法》第廿條對於方言的限制條款、建立開放多元的語言政策、並且全面開放客語電視節目」。此後,漸漸地客家人不再隱藏身分,民間社團和表演團體快速的成長,屬於客家的相關表演活動也日趨蓬勃,正所謂:「山歌唱出客家音,自古流傳到如今;以前山歌山上唱,今日唱到街路心」。2002年成立「客家委員會」,此對客家文化政策具有劃時代的意義,客家文化的延續與發展是其主政方針。2003年7月1日客家電視台正式開播,客家的表演團體及藝人終於享有更大、更開放的表演舞台。大家為傳承、為創新,皆積極參與客家的表演活動,筆者長期從事客家歌謠表演藝術領域的工作,以一位「觀察者」的角度,對於當代台灣客家歌謠表演藝術的發展和現象,以臺灣客家山歌團「廿五且歌行」為例,作為研究範圍提出看法,提供有心研究此領域者方便探究的一扇窗。

並列摘要


"We would rather sell the property of our ancestors but not forget their teachings." The above precious words inherited from our ancestor mention how Hakka people pay attention to the inheritance of traditional culture. In 1988, after the lifting of Martial Law, on Dec. 28th, Hakka people and societies promoted the movement of "Restoring Mother Tongue" to remind the public of the value of Hakka language and culture. The major claim includes: allowing Hakka TV Program; amending the Broadcasting Law about its restriction on dialects; setting up policy for multiple languages. From then on, Hakka people don't have to hide their identities. The numbers of local Hakka societies and performing groups grow fast, so does the performance of Hakka culture. Well goes Hakka old saying, "Hakka folk songs pass on from generation to generation, mountain folk songs hang around from street to street." In 2001, the establishment of Hakka Affairs Council signifies a turning point for Hakka culture policy. The inheritance and development of Hakka culture is the main goal. On July 1^(st) , 2003, Hakka TV started broadcasting, which offered larger stage and more opportunities for Hakka performing groups and performers. People are dedicated to participating in Hakka performance for innovation and inheritance. As a long-term performer, an "observer", focusing on Hakka performing field, I take Taiwan Hakka Chorus' 25th anniversary Hakka Musical as an example to make research on the development and phenomenon of Taiwan contemporary Hakka performing art, as a reference for other researchers.

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