叙述者的多声共鸣——马新及印华女作家的复调小说

The Polyphony Novel of Malaysian, Singaporean and Indonesian Chinese Female Writers

马峰(Ma Feng)

《韓江學報》 9期 (2017/05) Pp. 55-69

摘要

复调小说以叙述者的多声共鸣为主要表现形式。马来西亚、新加坡及印尼的华文女作家对复调小说都有所涉猎，印华及新华女作家的复调试验还略显生涩，而马华女作家复调叙事的艺术性相对较高。其中，李忆莙与黎紫书的长篇小说对复调叙事的运用最为娴熟，后者所创作的《告别的年代》尤为突出。具体而言，李忆莙注重各声部的互补与调和，遵循的是比较传统的现实主义路线；黎紫书更讲究声部间的互补与冲撞并存，其博杂的叙事技艺则介于现代主义与后现代主义之间。

關鍵字

马来西亚 ； 新加坡 ； 印尼 ； 女作家 ； 复调小说

並列摘要

The Polyphony Novel mainly manifests narrator's multi-resonance. Polyphony Narrative is always used by the Chinese female writers in Malaysia, Singapore and Indonesia in their writings. But it is still at its infancy in Singaporean and Indonesian Chinese female writers' novels as compared to Malaysian Chinese female writers. Malaysian Chinese female writers often use Polyphony Narrative to present higher artistic values in their novels. Li Yijun's and Li Zhishu's novels are representatives of Polyphony Narrative writing, especially Li Zhishu's "Gao Bie de Nian Dai". In particular, Li Yijun's writings use the Traditional Realism writing, but Li Zhishu's novels are different and mostly show conflict in the story. She often uses Postmodern Narrative writings in her creative works.

並列關鍵字

Malaysia ； Singapore ； Indonesia ； Chinese female writers ； Polyphony novel