東坡徐州詞研究

本文以東坡徐州詞為研究目標，從內容主題、技巧情思等方面，結合東坡在徐經歷和詩文，對徐州詞進行分析，並與徐州前後時期詞比較，以探討徐州詞之特色以及在東坡詞發展歷程中的意義。第一章「緒論」說明研究動機、研究架構並界定徐州詞範圍；第二章「徐州以前」從離別之情、時間意識和故鄉之思三方面觀察杭密時期詞，作為下一章之討論基礎。第三章「徐州詞析論」先概述徐州史地和東坡在徐經歷，再分別從離別之情的承變、農村詞的開創和時間意識的深化三個方向進行討論，分析徐州詞的創作技巧、情思內涵以及對杭密詞的承繼和轉化。第四章「徐州以後」則從離別之情的多樣、躬耕的歸宿感和時間意識的體悟三方面觀察黃州和黃州以後詞，探討徐州詞的餘波和影響。第五章「結論」指出徐州詞在離別之情、農村躬耕和時間之思等主題中同時表現出入世的積極感和時間意識帶來的空妄如夢感，呈現出矛盾衝突的心境，而其上承杭密時期的積累、下開黃州和嶺海時期的新境，是東坡詞創作歷程中重要的承先啟後時期。

關鍵字

東坡；蘇軾；詞；徐州；分期研究

並列摘要

This study discussed Su Dongpo’s Xuzhou Ci in terms of its content, topics, writing techniques, and sentiments. The life experience and literary works of Su during his stay in Xuzhou served as references for the analysis of Xuzhou Ci. Specifically, Xuzhou Ci was compared with Su’s other ci (lyric poetry in the tradition of Classical Chinese poetry) from before and after his stay in Xuzhou. The comparison allows for further understanding of the characteristics of Xuzhou Ci and how it contributed to the development of Su’s ci style. The first chapter “Introduction” explained the research motivation and framework as well as defined Xuzhou Ci. The second chapter “Before Xuzhou” analyzed Su’s ci written during his stay in Hangzhou and Mizhou from 3 aspects: feelings of parting, awareness of the passing of time, and longing for his hometown. The second chapter served as the basis for discussion in the follow-up chapter. The third chapter “Analysis of Xuzhou Ci” first summarized the history and geography of Xuzhou and the life experience of Su during his stay there. Further discussion was made from three perspectives—evolution of the feelings of parting, invention of rural ci, and increased awareness of the passing of time—to analyze the sentimental connotation of Xuzhou Ci; the creative techniques expressed in Xuzhou Ci; and the ccontinuity and transformation of ci written during Su’s stay in Hangzhou and Mizhou. The fourth chapter “After Xuzhou” analyzed Huangzhou Ci and Linghai Ci—two other works by Su—from 3 aspects: the diversity of the feelings of parting, finding a sense of belonging through farming, and epiphany regarding the passing of time; in addition, the aftermath and influence of Xuzhou Ci were addressed. The fifth chapter “Conclusion” noted that Xuzhou Ci—covering the topics of feelings of parting, rural farming, and thoughts about time—simultaneously expresses the positivity of being socially engaged and the sense of emptiness perceived from the passing of time, presenting a contradictory state of mind. Xuzhou Ci follows the past (i.e., existing writing style from Su’s stay in Hangzhou and Mizhou) and heralds the future (i.e., new writing style for Su’s stay in Huangzhou and Linghai), playing a crucial part in the development of Su’s ci style.