- 學位論文
客家Style：台灣紀錄片的文化記憶與敘事認同表述
Hakka Style : Narrative Identity and Cultural Memory of Taiwan Documentary
摘要
本文以「客家」作為方法，旨在探究解嚴後台灣紀錄片的客家Style，如何呼應由台灣客家人主導的一二二八還我母運動，具體呼籲客家現身的目標。文中一方面勾勒解嚴前後報紙的「反客為主」言論，梳理「客家上電視」的問題脈絡。另一方面以綠色小組拍攝客家還我母語運動，以及彭啟原長年拍攝的客家紀錄片為研究材料，探討紀錄片的見證與行動，試圖有效釐清台灣紀錄片的客家Style所謂為何？至於文章內容，主要考察彭啟原的代表作品，關注其中的「文化記憶」，並探究《客家風情畫》全三季的客家紀錄片，如何重構一九九ま年代的客家文化記憶與內涵，以及從客家觀點的敘事認同出發，理解台灣少數族群文化與跨國文化流動關係。另外，點出《遙遠歸鄉路》、《三坑人三坑事》的現實議題與本土化風格，乃是獲得學者認可，並納入九ま年代台灣文化紀錄片之列的關鍵。接著，本文進一步援引史書美「華語語系」中的視覺與認同方法，指出《台灣客家》與《客家行腳》曖昧地遊走於中國與台灣的地緣政治，生產具有抵抗特性，同時具備在地化與多元文化的客家認同。最終，本文旨在點出客家紀錄片的歷史定位，以及客家觀點乃是客家紀錄片工作者必備的風格與要素。
並列摘要
This master’s thesis would apply Hakka as research method to analyze the linkage between the objects of Hakka Movement "Restore My Mother Tongue Campaign.”in 1998 and the“Hakka style” after lifting of martial law in the ROC Taiwan after 1987. For one part, I’ll illustrate the “hakkaism” remarks that appeared at the newspapers so that to clarify the reason why Hakka have to go on TV. For the other part, this thesis will clarify what is Hakka style in Taiwanese documentary? The documentaries that witness Hakka movement produced by Greenteam will be at first analysed but the primary research concern will be focus on Hakka documentaries by the team of Mr.Peng Chi-Yuan.To begin with, this thesis will applied the theory of Cultural Memory to study the “The Picture of Hakka (客家風情畫) ”to reconstruct the Hakka cultural memories and its contents during 1990s and to understand the relations between Taiwanese minority cultures and transnational cultural flow from the point of view of Hakka narrative identity.Also, the style of “cinéma vérité” and localization from the documentary《遙遠歸鄉路》（long way back home）、《三坑人三坑事》（People and Things happen in SAN-KENG）is the crutial reason why it’s highly valued and recognized as parts of Taiwanese cultural documentary. Whats’ more important, the thesis would site the theory of Sinophone to analyze how Hakka identity can travel between the ambiguity of geopolitics of Taiwan and China style Hakka from the following two documentaries:”Taiwan Hakka(台灣客家)” and “Hakka on foot(客家行腳)”. The Hakka identity is not at all totalism. It’s multi-cultural, localizes and also resistant to both Taiwan and China geopolitics.Finally, the thesis points out that the historical value of Hakka pointview and it is also the essential element for Hakka documentary makers.