石濤《東坡詩意圖冊》研究

Study on Album Inspired by Su Dongpo's Poetry Painted by Shitao(1642-1707)

李有容(Yu-jung Li)

指導教授 ： 石守謙

國立臺灣大學/文學院/藝術史研究所/碩士(2016年)

https://doi.org/10.6342/NTU201600861

摘要

石濤（1642-1707）自二十世紀以來，逐漸成為中國繪畫史中最為出名的畫家之一，其獨特不同於流俗的畫風，被視為中國畫壇表現主義、個人主義的先驅。特別是晚期活動揚州（1692-1707）的繪畫，以及黃山系列的作品，甚受研究者關注，著力甚深。但對於石濤早年的繪畫活動，現今的瞭解仍相當有限。紀年一六七七年的《東坡詩意圖冊》是石濤駐錫宣城時期（1666-1680）的作品，以其多變、細膩的渴筆風格，被認為是石濤早年的代表作之一。儘管研究者多肯定此冊的品質，惟未對其進行過仔細的討論。本文即以此冊為研究對象，首先梳理在數百年的流傳過程中，此冊的聚散離合；接著，詳細檢視此冊現存十開作品，試圖理解畫家對各開作品的企圖。除了畫面分析之外，此冊的選詩也是值得研究者予以注意的。石濤在《東坡詩意圖冊》所選之詩句，與時人習見的東坡詩，在版本的選擇上有所出入，其不同之處正是畫家對東坡詩的意見。這與十七世紀下半葉學界重新檢討東坡詩的風潮相呼應，因此，此冊應可視為畫家對於東坡詩研究成果的展現。

關鍵字

石濤 ； 宣城時期 ； 渴筆 ； 東坡詩重注 ； 十九世紀廣東收藏

並列摘要

With his unique style, Shitao (1642-1707) has become one of the most famous pioneers of Expressionism and Individualism in the history of Chinese painting since the twentieth century. His late works in Yangzhou period (1692-1707) and a series of paintings depicting Huangshan (Yellow Mountain) have received much academic attention. Nevertheless, not much is known about his earlier paintings even today. Featuring various painstaking dry brushes, Album Inspired by Su Dongpo’s Poetry (dated 1677) survives as Shitao’s earlier works painted during his Xuancheng period (1666-1680). Although scholars have agreed that this album is of excellent quality, it has yet to be thoroughly discussed. The present study will firstly reconstruct the provenance of Album Inspired by Su Dongpo’s Poetry. Moreover, through meticulous examination of the surviving ten leaves, the author will try to grasp the painter’s intention in each leaf of this album. In addition to formal analysis, the selection of poetry is also worthy of note. In fact, Shitao’s choice and editions of Su Shi’s (1037-1101, also known as Su Dongpo) poems is different from that of his contemporaries, suggesting the painter’s own judgment. This phenomenon echoes the re-evaluation of Su’s poems in the latter half of 17th century. In this vein, Album Inspired by Su Dongpo’s Poetry may thus reflect Shitao’s study of Su Dongpo’s poems.

並列關鍵字

Shitao ； Xuanchen period ； dry brush ； re-annotation of Su Dongpo’s poems ； Guandong collectors in the 19th century

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