三一八之後：台灣戲劇作為事件反饋

Dramatic Theatre as Evental Response in Post-318 Taiwan

蔡格爾(Ger-Er Tsai)

指導教授 ： 紀蔚然

國立臺灣大學/文學院/戲劇學研究所/碩士(2017年)

https://doi.org/10.6342/NTU201700621

摘要

無資料

關鍵字

318 ； 巴迪烏 ； 事件 ； 政治劇場 ； 台灣 ； 太陽花運動 ； 楊升豪 ； 讀演巨人 ； 三缺一劇團

並列摘要

In the wake of the Event––the 318 Movement, several theatrical productions that were staged in 2014 by members of Taiwan’s theatre community who are also avid participants of the Event. Productions like Representation of the Cherry Orchard (再現・櫻桃園, Zài Xiàn Yīng Táo Yuán), Rose-colored Country (玫瑰色的國, Méi Guī Sè De Guó), and Earth Project I (土地計劃首部曲, Tǔ Dì Jì Huà Shǒu Bù Qǔ) embodied 318’s ideals and shared its issues of concern, emphasized the importance of public issues over personal crises and displayed an acute awareness for social issues and injustices. This research proposes a novel term, “dramatic Evental response”, to illustrate their connection to the Event and dramatic theatre’s involvement in sustaining the Evental effect of 318. Through performance studies, this research examines the similarities between dramatic Evental responses, the Evental aspects of 318 that each responds to, and their positive significance besides reiterating 318’s discourse. From the analyses of the three Evental responses, we can detect three similar features: a potent activist characteristic, meta-theatricality, and subject consciousness.

並列關鍵字

318 ； Badiou ； Event ； Political Theatre ； Taiwan ； Sunflower Movement ； Yang Sheng-Hao ； the Cyclops Troupe ； Short One Player

參考文獻

Cheng, Fan-Ting and Wang Wei-Chih (鄭芳婷、王威智). "Protesting Self-Reflexive Theatricality: The Cyclops Troupe's "the Rose Colored Country"." Journal of Theater Studies.18 (2015): 217-51. Print.

Works Cited

Badiou, Alain. Ethics: An Essay on the Understanding of Evil. Trans. Hallward, Peter. London: Verso, 2001. Print.

Chang, Hsiao-Hung (張小虹). "劇場，運動中：《玫瑰色的國》的動勢與形式." ARTalks (2014). Web. 31 Dec. 2016.

Chou, Yi-Cheng (周翊誠). Personal interview. 19 Jan. 2016.