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  • 學位論文

《畫皮》、《無憂歌》及其創作說明

Painted Skin Tranquility Song

指導教授 : 王安祈

摘要


本論文包含兩部歌仔戲作品《畫皮》、《無憂歌》及其創作說明。《畫皮》取材自《聊齋志異》的同名故事,以其為基礎背景進行改編,除妖道長成了人人喊打的萬惡騙仙,為破除謠言,有人異想天開,策畫了一場假畫皮事件。《無憂歌》為新編歌仔戲,講述一塊能發出樂聲,具有使人忘懷悲傷能力的石頭,化為人形四處助人,不料卻反害了人的故事。創作說明則包含創作緣起、劇情分析等等,闡述創作的理念與試圖於創作中進行的嘗試,以及檢討及展望等。

關鍵字

畫皮 無憂歌 歌仔戲

並列摘要


This thesis includes two Taiwanese Opera plays, Painted Skin and Tranquility Song, and the concept of the creation. Painted Skin is an adaptation story based on a story of the same title from the novel, Liaozhai Zhiyi: Strange Stories from a Chinese Studio. This play is about a hero who was falsely accused of being a liar and was hated by everyone. A man plans to use a trick to help the hero to reverse the miscarriage of justice. Tranquility Song is a story about an amazing stone. The stone can make music which has therapeutic power that can help people forget their sadness. One day the stone turns into a man and wants to help people. However, he causes greater trouble as a result. The creation illustration includes the originality and analysis of the plot and characters, elaboration of the creation concept and approach, and introspection and prospective.

參考文獻


王安祈,<「演員劇場」向「編劇中心」的過渡──大陸「戲曲改革」效應與當代戲曲質性轉變之觀察>,《中國文哲研究集刊》第十九期,2001年9月
施如芳,《願結無情遊》(台北:聯合文學,2010)
中國文化大學中國文學研究所碩士論文,2005
林惠茹,《聊齋誌異中的妖形象研究》
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