- 學位論文
《芥子園畫傳初集》的編纂與畫譜教學
Compilation and Instructions on the Huapu of Jieziyuan Hua Zhuan Chu Ji
摘要
清初由金陵〈芥子園書坊〉所出版的《芥子園畫傳初集》，為中國第一部彩色套印的山水畫科專題畫譜，在《芥子園畫傳》三集之中受到特別的重視。前人聚焦於《芥子園畫傳初集》的版本和圖象來源的問題，尚未對畫譜的形式及內容有深刻的理解。本文擬先梳理畫譜出版的機緣和情境，嘗試檢討《芥子園畫傳初集．卷五》〈摹倣各家畫譜〉選摹地方名家的意義。其次，探討畫家王概於《芥子園畫傳初集》所進行的編輯工作，利用現階段考證出來的圖象及文字來源，和畫譜作比對，談論編者對材料所做的增輯編次。最後，談論畫譜的教學策略、版面形式設計和版畫技術面的問題。畫譜如何達到教學作用，指引閱讀者理解並且進行實作，以及版面空間、形式如何安排等，都是本文處理的問題。
並列摘要
Jieziyuan shufang published Jieziyuan Hua Zhuan Chu Ji, which is the first shanshui huapu of color woodblock print in the early Qing. In a series of Jieziyuan Hua Zhuan, Chu Ji was given particular attention. However, researchers focus only on the versions and source of images. But it’s still unclear about the form and contents of Jieziyuan Hua Zhuan Chu Ji. The thesis will first explore the cause and situation behind publication. Mofang Zhujia Huapu of Jieziyuan Hua Zhuan Chu Ji will also be discussed, in order to understand the meaning of Jieziyuan Hua Zhuan Chu Ji Juan Wu and the reason why only certain painters’ artworks were included in the publication. Second, the thesis will analyze the editing work done by painter Wang Gai with recent research results to compare with huapu. This analysis will also explore on the methodology Wang Gai used in his editing work. Finally, the thesis will study the instructions, layout and printmaking technique of huapu. How huapu guides its readers in the painting learning process, how the printing page was designed, and how its form and meaning was presented in huapu, are all exploring subjects in this thesis.