This thesis consists of two parts— the script, its explaination and analysis. Cheng-Ying, Liu, a screenwriter living a decadent life as a walking dead, always escapes into the her deep subconsciousness whenever she encounters difficulties. In the dreamland she builds, all things are easily reached, all information is unobstructed, everything seems promising and without restrictions. At least, there is always someone to tell you so. Can she possibly dream a dream in the dreamlike world? Dream of what? And how she dreams?