Taiwan’s drama industry has long been under-developed. The industry is formed by the interaction between the political powers, the TV operators and the production company. This in-depth report explores the drama industry in the light of political economy of communication, and demonstrates the power interaction and resource allocation of different stakeholders from the structural plane.This report focuses on the producers of the dramas, describes how the external political and economic structure limits their opportunities, and present how they tried to get out of the present predicament.This report by covering the status of the Taiwan’s drama industry and providing solutions, hopefully can contributes to the present discussion concerning how to boost Taiwan’s drama industry.