莒哈絲《情人》中亞洲男人的再現

The image and the place of the Asian man in The Lover of Marguerite Duras

鄧家均(Chia-Chun Teng)

指導教授 ： 蔡淑玲 ； 利大英

淡江大學/外國語文學院/法國語文學系碩士班/碩士(2005年)

https://doi.org/10.6846/TKU.2005.00241

摘要

法國二十世紀作家瑪格麗特•莒哈絲在法國當代文學中佔有一席重要的地位。其法屬殖民地印度支那的童年經歷使得其一系列有關亞洲的作品瀰漫著東方異國情調的氛圍，並透過人稱的不定置換、事件連接的斷裂和空白的敘述方式造就一種莒哈絲式的獨特風格。直至上世紀九○年代初《情人》電影的引介，此法國作家的名聲開始在亞洲地區廣為人知，其作品藉由小說和電影的兩種不同藝術呈現形式，東方空間和人物在西方作家的觀視之下深具殖民想像的再現。此論文以檢視亞洲男人在文學小說和影像的再現問題分為二大部分：第一部分著重於小說的敘述文字，解析持有殖民者身份的白人少女面對種族、文化差異、個人家庭情結與社會情境的情況提出中國情人的描述和地位；第二部分則在於討論電影裡中國情人的重複再現。

關鍵字

瑪格麗特•莒哈絲 ； 東方主義 ； 異國情調 ； 再現

並列摘要

The French 20th century writer, Marguerite Duras, holds an important status in the French contemporary literature. The author's childhood experience in the French colony, Indochine, enables a series of works that concerns Asia, with an “Oriental” exotic atmosphere, converging with the author’s narration approach ( the narrative person arbitrary in the breaks and the blanks within the connection of the events ) accomplishes the unique “durasien” writing style. Until the production of the movie The Lover at the beginning of 1990's, this French writer's reputation began to gain wider appeal in Asia. Through two kinds of artistic forms, the novel and the movie, both evoke ideas on Eastern space and characters under a western writer's perspective residually represented in colonized imagination. This paper investigates the Asian man divided into two major parts in the literature novel and the image representative question. The first part focuses on the novel's narration writing, in order to analyze the description and the status of the Chinese lover vis-à-vis the young white girl who has the colonizing status regarding issues on race, the cultural difference in the white girl's complex family situation and the social context. The second part lies in the discussion movie in the image repetitive representation of the Chinese lover.

並列關鍵字

Marguerite Duras ； orientalisme ； exotisme ； representation

參考文獻

CHEN Yanjiang 陳艷姜, " 慾望之流：莒哈絲的「中國情人」與書寫越界 " Yuwangzhiliu : Juhasi de zhongguo qingren yu shuxie yuejie [ Flux du désir : l’amant chinois de Marguerite Duras et l’écriture transgressive ], Zhongwai wenxue 中外文學 N° 30 Vol. 4, septembre 2001, pp. 91-105.

HUANG Xinya 黃心雅, " 東方論述與當代西方女性書寫：莒哈絲、桑塔格與湯亭亭的中國想像 " ( The Orientalist Discourse in Contemporary Western Women's Writings : (Mis) Representing China/Chinese Men in Marguerite Duras', Susan Sontag's, and Maxine Hong Kingston's Works ) Dongfang lunshu yu dangdai xifang nüxing shuxie : Juhasi, Sangtage yu Tangtingting de zhongguo xiangxiang [ Le discours orientaliste dans l’écriture féminine en Occident contemporain : la représentation de la Chine et des Chinois dans les ouvrages de Marguerite Duras, Susan Sontag et Maxine Hong Kingston ], Nüxue xuezhi : funü yu xingbie yanjiu 女學學誌：婦女與性別研究 N°1, mai 2002, pp. 141-177.

TSAI Shuling 蔡淑玲, " 莒哈絲時空異質的影像書寫 " Juhasi shikong yizhi de yingxiang shuxie [ Writing the Alterity in Image – L'Amant by Marguerite Duras ], Zhongwai wenxue 中外文學 N° 27 Vol. 9, février 1999, pp. 128-151.

BIBLIOGRAPHIE

Dictionnaire Alphabétique et analogique de la langue française, Paris, Dictionnaire Le Robert, 1992.