議題音樂節的文化製作：以共生音樂節為例

百花齊放的音樂節成為現代潮流，議題音樂節逐漸浮現於眾多音樂節中。共生音樂節作為一個年年舉辦的議題音樂節，其以音樂節的節慶形式包裝具有強烈訴求的社會運動，進而形成一種創意性的展演活動。本文以新社會運動為基礎，說明議題音樂節如何透過集體動員引入主導框架，並結合節慶和狂歡節中共構的意義，進而影響團隊內部的活動規劃。本文亦介紹了籌備團隊在製作第一屆到第八屆的共生音樂節時如何推廣議題，以及共生音樂節展演空間現場行動者之間的互動關係。方法上除了彙整現有的網路資料，還有各類訪談者如籌備單位、群眾、音樂表演者及周邊攤位等的訪談作為補充資料。本研究發現，共生音樂節創造出一種節慶的臨時性，將理想的公共領域限縮於音樂節的空間中，籌備團隊以「公共活動」作為吸引群眾的方式，而非「公共抗議」作為動員。當群眾從「個人認知」轉向公眾的「集體意識」時，共生音樂節提供的平台亦賦予了群眾一個低門檻的議題討論空間。在此，可以視共生音樂節為一種新型態的社會運動轉型

關鍵字

議題音樂節；狂歡節；新社會運動；文化製作；公共性

並列摘要

With the trend of blossoming music festivals, issue-oriented music festivals are gradually appearing in many music festivals. Gong Sheng Music Festival is an annual protestival, which is a social movement combining a strong appeal in the form of the music festival, and then becomes a creative performance event. From the beginning of the new social movement theory, this study illustrated how protestival used a master frame to mobilize and combine the meaning of festivals and carnivals, and how this frame influenced the planning of events within the organizing team. This study also introduced how the organizers promoted the issues during the production of the first to the eighth Gong Sheng Music Festival, and the interaction between different actors in the festival. This study used a qualitative method to gather materials of web data and interviews with various interviewers such as the organizers, the public, music performers and the surrounding booths. The findings suggested that Gong Sheng Music Festival has created a temporary character of the festival, narrowing the public sphere to the festival space. Organizers used public events as a way to engage the public, rather than public protest as a mobilization. As the public transformed individual awareness into collective consciousness, Gong Sheng Music Festival provided a platform for the public to discuss issues with a low threshold. In this regard, Gong Sheng Music Festival can be regarded as a new form of social movement transformation.