影像的凝視:探討眼睛與鏡頭的觀看

The Gazing of Images:A Discussion of the Gazes between eyes and Lens

王巧萍(CHIAO-PING,WANG)

指導教授 ： 曲德益

國立臺北藝術大學/美術學院/美術學系美術創作碩士班/碩士(2006年)

https://doi.org/10.6835/TNUA.2006.00001

摘要

中文摘要

為自己的作品寫論述往往會陷入一種混淆︰一會兒是作者本身，一會兒又是作品本體，移游在這兩個吊詭的位置，有時恍恍惚惚分不清楚。
就作者而言；從「我為什麼這樣創作」到「我要說什麼?」，筆者企圖將自己曾經相信和感受的東西，透過文字的引導帶領讀者進入了解─「我」的形成，以及在「持相機的性別主體」裡，我對再現物的觀點是什麼?。相對於後者，作品本體；是一個由「使用媒材的態度」、「使成為元素」、「元素與元素間的安置」到「作品總體」等製作階段的作品方法論。
寫作品論述，是一個介面，不但要替自己說明自己的創作，而且還要試圖將自己對作品「感同身受」的位置讓位給閱讀這本論述的人。
本文從數位媒材應用在影像裝置，作為藝術創作形式開發的角度探討影像時間和展場時間的共時關係，分析作品中鏡頭與觀者的心智歷時性引發的感知，即鏡頭與眼睛的凝視過程，如何在接觸作品中，「表達的」被看見。
本文先以影像作為一種材質來分析：關於材質的認識，從靜態影格、電子影音、這些影像形式的出現和美學的關聯，以及數位媒材的出現，材質表現在形式上的首要思考是什麼?其次，個人經驗如何透過電子媒體形式與材質的必然關係成為一件創作?最後，創作者又提出什麼樣的時間去測量空間反應命題?這一連串的自我提問，筆者試圖說明作品的影像觀，並藉作品表達個人根源的問題，思考自己如何閱讀生活。

關鍵字 : 影像、表面映射、自我觀察、電子迴路、影像裝置

關鍵字

影像 ； 表面映射 ； 自我觀察 ； 電子迴路 ； 影像裝置

並列摘要

Abstract

Confusions often emerge when one tries to write the abstract for his/her own work—it may represent the author at once, and sometimes the work itself, oscillating between these two weird objects. Thus, it is at times confusing the readers.
From the author’s aspect, introducing from “Why would I work this way?” to “What do I try to say?”, she attempts to lead the readers to understand the formation of “self” and how she has seen the reproduction as a “gender individual with the camera” through words with her belief and feelings. Opposite to the latter, the work itself is a practical methodology consisting of “the attitude of utilizing media materials”, “making up an element”, “the arrangement between elements” and “the integral work”.
Writing an abstract is like creating an interface. Not only does the author need to illustrate his/her own production, but also manage to pass the same feeling he/she has about the work onto the readers.
This study discusses the co-existing relationship between the time of the image and that of showcase by applying the digital media materials to the image device as an exploration of art creation form. This study also analyzes how the senses in the photo shots are triggered by the viewers through times, i.e. how the meanings of the work can be seen while the eyes are gazing at the camera lens.
This study analyze images as a substance—including introducing the materials from static frame, electronic image and sound and the relevance between the emergence of these image forms and aesthetics to the appearance of digital media materials and the first consideration among forms in terms of material representation. Next, how personal experiences become a final work through the corollary

relationship between the forms and materials of electronic media is to be discussed. Finally, this paper analyzes the way the creator of the work measures the time, and how the space coordinate responds to the proposition. Through a series of self-questioning, the author attempts to illustrate the image concept of the work and contemplate how she can “read” her life through the roots of personal problems which the work presents.

Keywords : Image , Reflective Surface , Self-observation , Electric Colsed-circuit , Image installation

並列關鍵字

Image ； Reflective Surface ； Self-observation ； Electric Colsed-circuit ； Image installation

參考文獻

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