利用宗教儀式或傳統民俗藝術作為攏聚地方協力,其來有自,但現今有一波利用藉由藝術形式作為推展社區活力的想法與趨勢逐漸形成,其概念想法是如何演變產生? 新的藝術觀相較已往有何不同,而透過怎樣的機制合作與管理,才能與內在的社區文化風格關係緊密相互作用、影響? 藝術不只反映社會的物質生活、人與人之間的倫理或道德生活,也表現人們豐富精神與思想。從傳統民俗藝術到現代社區藝術運動,對形塑社區生活意識及共同記憶,乃至美感氛圍,皆有著相似的作用。這種藝術模式在社區的擴延,不僅強化民眾參與過程,並承載了當地歷史記憶、地方文化、自然風貌、人文特色所塑造出的認同與地方感。 藝術功能改變人們重新思考藝術與社會問題的關係,本研究將從台灣推展社區營造12年後的新階段時點,來看社區如何跟新類型新公共藝術產生連結,形成在地意義;並從管理的層面對該類藝術策略進行探討,期以找到可行的交集與實踐場域。
Religious ceremony and traditional folk art has long been a means of uniting the community, but recently, there has been a rising trend to vitalize the community through art. It is inconclusive how that trend was conceptualized, what are the different new art concepts been hold? Through which mechanism and management can the new art integrate with the community’s existing culture to create a new identity. Art is a reflection of the society’s material life; human ethics and moral, as well as man’s rich spirit and thoughts. Either the traditional folk art in the past or the contemporary community art movement; they mold a common life style and aesthetic appreciation. Both forms of arts strengthen public participation and create a community identity and locality which bears the community history, culture and unique characteristic. Art has demonstrated functions which require re-examination on the correlation between art and social issues. And community movement is entering into a new phase of development since the community building initiatives was introduced to Taiwan twelve year ago. This study will endeavor to reason the identity and locality result from the interaction between the genre public art and community building movement, and search for a deployable management pattern of such result.