重返記憶之“地”的撿拾－關於“痕跡”的放大檢視

本論述旨在透過個人創作經驗的整理，釐清自身創作關注面向和使用媒材間的關係。記憶，是回想已經發生過的事。它不需擁有強烈時間差，就算是一個小時前發生的事情，只要從現在往回倒敘，就是記憶。我將創作過程對記憶的提取，視為理解世界的方法之一。心理學上以「自傳性記憶（autobiographical memory）」來指稱儲存在個人生命經驗的記憶。我創作的核心關注是往回尋找在不斷前進的生活中所出現的記憶，討論記憶和生活經驗磨合變換的各種姿態。全文分六個章節，第一章首先說明研究所期間，對於創作狀態轉變的觀察和整理；第二章是創作背景的說明，從「地方」切入談論記憶，討論選擇遊樂場作為核心對象的創作意圖，處理記憶中經驗和痕跡的關係對於個人創作的重要性；第三章以影像論述為基礎，探討日常影像的媒材特性和形式於創作中的應用；第四章從使用的創作媒材切入，討論個人特殊性的色彩使用和筆觸堆疊，在繪畫、版印間複合使用的處理；第五章就創作整體的工作狀態，討論版畫的重複性，與個人在工作中養成的身體感，兩者之間的關係；第六章則就文字書寫和身體經驗的所給予創作的不同感受做為結語，期許自我思考和工作方式的突破。

關鍵字

記憶；經驗；痕跡；追尋

並列摘要

This thesis aims to organize my creative experiences, clarify the relationship between what I am concerned about and the mediums I use. Memory is the recalling of what had happened in the past. It is the flashback between past and present, which does not need a great time difference. I extract memory during the creative process as one of the ways to understand the world. In psychology, “autobiographical memory" refers to the memory of individuals. Searching for the memories creates in my ongoing life, discussing the relationship between memories and daily living experiences are my main concerns. The thesis contains six chapters. The first chapter describes the observation of the development of my creative processes in MFA TNUA. The second chapter describes the background of my creative process, reveals why I choose playground as a starting point to create my artworks, views from the concept of “place” to discuss memory, handles the relationship between experience and traces of memory, tells why memories are important to my creative process. The third chapter base on theories about images. I discuss the characteristics of mediums and forms of images which can be found in daily life, how I link them to materials that I use and my work. The fourth chapter discusses about the properties of materials, the exploration of the use of color and brush strokes, and how the medium can combine between painting and printmaking. The fifth chapter describes the state of work in the creative process. Discuss the relationship between the duplication of printmaking and the bodily experience which shapes in the individual work. In the sixth chapter, I conclude the feelings given by writing and body experiences in the creative process, and hope to breakthrough ways of thinking and working.