- 學位論文
1590年至1600年卡拉瓦喬繪畫與倫巴底繪畫之關係
A Study on Caravaggio’s painting from 1590 to 1600 and Lombardy painting
摘要
巴洛克時期重要畫家之一的米開朗基羅．梅里西．達．卡拉瓦喬(Michelangelo Merisi da Caravaggio,1571-1610)，以強烈明暗對比法及色彩陰影的技巧，讓作品產生戲劇性的效果，同時以自然作為繪畫典範的寫實描繪，對藝術史的發展產生重大的影響。卡拉瓦喬於1592年抵達羅馬之前，文獻的記載指出成長與藝術養成皆是在倫巴底地區完成。然而仔細探究十六世紀倫巴底藝術表現，已有不少藝術家力求寫實自然的描繪，例如喬凡尼．吉諾蘭歐．沙瓦多(Giovanni Girolamo Savoldo,1480-1548)、莫列托．達．布雷沙(Moretto da Brescia,1498-1554)、安東尼奧．康仳(Antonio Campi,1525-1587)等倫巴底的藝術家們。這些藝術家對於自然寫實描繪的堅持，影響了卡拉瓦喬日後為人著稱的寫實表現。而後世過度深化卡拉瓦喬對於寫實的開創，忽略了倫巴底先驅們所奠定的寫實基礎，透過早期作品重新檢視這位藝術家，以此說明與倫巴底傳統之聯繫。此外卡拉瓦喬於1600年展開大型宗教主題作品的創作，此時期視為其風格成熟的表現，在繪畫中融合了早期的表現，以創新的手法表現其獨有的光線與色彩風格。因此本論文以卡拉瓦喬1590至1600年間之作品為探討主軸，欲基於視覺上的重要語彙，企圖去解釋他於寫實革命上的創新。
並列摘要
Michelangelo Merisi da Caravaggio (1571-1610) was one of the most important painters during Baroque. His paintings, which not only had dramatic effect by using the chiaroscuro and color shading but combined the nature as the modeling with realistic expression, had a significant influence on the development of art history. According to literature, Caravaggio built and completed his growth of artistry in Lombardy before he moved to Rome in1592. To make a thorough inquiry regarding the artistic expression in sixteenth-century Lombardy; however, there were many artists, such as Giovanni Girolamo Savoldo (1480-1548), Moretto da Brescia (1498-1554) and Antonio Campi (1525-1587), had strived for the rules of simplicity and naturalism. Caravaggio’s works, which were well known for realistic expression, was influenced by those Lombardy artists who insisted on depicting the paintings with realistic and naturalistic details. However, people deepen that Caravaggio initiated the style of realistic excessively and ignore the naturalistic basis which was established by the pioneers in Lombardy. The connection between Caravaggio’s paintings and Lombardy traditions could be showed by reviewing his early works. Furthermore, Caravaggio began doing paintings with religious themes in 1600, when his works were considered to be the higher level and maturity of his style. His works combined the elements of early works and the innovative technique of expressing the use of lighting and color. This thesis takes the Caravaggio’s works during 1590 to 1600 as the main content and is about to be based on the important visual interpretation, attempting to explain the innovation in his revolution of realism.