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摘要


筆者試圖透過此論述,詮釋個人創作動機、概念以及其藝術實踐,尤其注重以水墨意境與BL (Boy's Love) 融合為可能性之方向。 第一章闡釋創作來由,從生活經驗審視自身對於身體與女性身份被審視的不安,由此衍生的創作動機與目的,並簡述研究方法與範圍。第二章說明女性作為承載體的潛意識之解讀與運作,從而轉向BL的必要性,進一步解釋如何從BL的視覺經驗研究出來的一種觀看方式,也與自身創作很明顯的特徵——偷窺感,把這種視點來呈現BL為腐女所帶來的、獨特的心理感覺。第三章我整理創作中所用之元素,使它們能有效地結合偷窺者的觀賞角度以及形式,在這章節我會以速描、空間、人物、植物、用色、畫幅使用空隙形式的原因,來達到所要表現的感覺。最後一章歸納藝術概念,與未來創作的方向以及計劃。

並列摘要


In this thesis, I have tried to interpret my motivation and concept of my painting through the possibility of the practice of combining the ink painting and BL (Boy’s Love). In the first chapter, I will expound the stimulus of my art creation. During usual life, most women and I have experienced the disturbance of living under gaze. And this disturbance and insecurity is the motivation of my art creation. I will also explain briefly my research method and field. In the second chapter, I will detail on how women as an interpretation and operation in life and in art. Hence, I will explain the logic way of seeing of BL and how important that we can make a difference through this kind of way of seeing. That is the sense of voyeur, which brings woman the unique psychological sense. In the next chapter, I will sort out all the elements and issues appeared in my painting. I will clarify how I combine effectively my quick sketch, space, figures, plants, colors and the form of painting with the way of seeing to a peeper. Finally in the last chapter, I will conclude my art concept and my future plan in art creation.

參考文獻


約翰・伯格 (John Berger),吳莉君譯。《觀看的方式》。台北:麥田,城邦文化出版,2010。
Michel Foucault. The History of Sexuality- Volume I: An Introduction. New York: Pantheon Books, 1978.
中文書目
上野千鶴子,楊士堤譯。《厭女:日本的女性厭惡》。台北:聯合文學出版社。2015。
王泰俐。《電視新聞感官主義》。台灣:五南圖書出版股份有限公司, 2015年。

被引用紀錄


劉俐君(2018)。性別和權力的扭轉-日本BL漫畫研究(2005年-2016年)〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2018.00027

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