- 學位論文
史克里亞賓《幻想曲，作品二十八》樂曲分析與詮釋
The Music Analysis and Interpretation of Alexander Scriabin's Fantasy, Op. 28
摘要
十六世紀之後器樂曲大量出現，幻想曲形成一種獨立存在的器樂曲類型，以情感抒發的幻想風格與作曲形式自由為其特色。幻想曲發展的歷史漫長且作品數量龐大，其中以鍵盤幻想曲為其發展主流。亞歷山大•史克里亞賓生於十九世紀末，正值俄國音樂創作與音樂教育正蓬勃發展之時，受浪漫樂派末期與現代樂派的風格影響，早期在傳統曲式上創新和聲色彩，後期開創個人特色曲種，創造出特殊的個人語法。史克里亞賓接觸了象徵主義與通神論等思想，在音樂中可看出史克里亞賓試圖藉由音樂展現個人哲學思想與宗教意圖。《幻想曲，作品二十八》為史克里亞賓早期鋼琴作品，本文分為六章，先分別探討史克里亞賓身處的時代背景、思想與音樂創作，以及幻想曲與史克里亞賓的鋼琴創作手法，最後對《幻想曲，作品二十八》進行樂曲分析與詮釋探討。
並列摘要
Instrumental works have appeared abundantly after 16th century. Fantasy, characterized as fantastic style of emotional expression and liberal composition form, had become an indipendent category of Instrumental works. The development history of Fantasy is very long and has a enormous amout of artworks, among which keyboard Fantasy is among the main stream. Alexander Scriabin was born at the end of 19th century, and meanwhile at Russia it was the thriving period of music creation and education. Affected by last stage of Romanticism as well as Modernism, he had created an unique personal language by innovating harmony on traditional form at early stage and initiating distinctive Genre at later stage. Scriabin had connected up with ideas like Symbolism, Theosophy, and etc, furthermore, one can see that Scriabin had tried to convey personal philosophy thinkings and religious intentions through music. Fantasy, Op. 28 is the piano work of Scriabin in his early stage. This thesis has six chapters. First of all, Scriabin's background, ideas, and musical creation are investigated, besides, discussion of Fantasy and Scriabin's composition features will be carried out. At last, based on Fantasy, Op. 28, analysis and interpretation are studied.