形色與穿透

Shape & Colour and Transmittance

蔡蓓詩(Bey-Shy Tsai)

指導教授 ： 黎志文

國立臺北藝術大學/美術學院/美術學系碩士在職專班/碩士(2008年)

https://doi.org/10.6835/TNUA.2008.00005

摘要

繪畫的對象是自然與人生。畫家將一連串的形象與色彩表現將自然與人生的多樣概念，轉變成畫面裡帶有主觀或暗示或批判的種種形式。
而今現代繪畫脫離傳統的軌道，開創新的格局，藝術家以獨特性開展出屬於個人的風格；風格的本身擁有特殊性，而形式的多變是當代藝術家不斷努力所追求的。
美國著名的抽象表現大師傑克森．帕洛克（Jackson Pollock，1912~1956）曾說過「一幅畫有它自己的生命，我的任務便是讓它的生命誕生。」對他而言是有絕大的影響力，形是根據物體的顯色表現出來的結果，形與色的存在多少有共同的地方，相依並存，同時，形與色從某些地方看來，應該是一體的兩面。藝術表現的形式及情感表達，隨著時間、空間的變化都會有不同的創作思維。
本論述分五個章節論述，第一章 自我創作的本質、第二章 抽象觀念的建立與表現、第三章「形色與穿透」形式分析、第四章 創作中的自我分析、第五章 結論。從探討創作最初的本質、如何跨入抽象的領域，個人的創作靈感來源及分析個人創作紀錄，到尋求自己未來發展的突破性。
以抽象表現出發，結合筆者的生活經驗，與自我內在對話，並藉由油畫媒材的特性與技法，發展出屬於個人的創作風格。

關鍵字

形:色:穿透

並列摘要

The subject of Abstract Painting is nature and life. By means of a series of images and colours, painters transform the diverse nature and the concept of life into forms of subjectivism, implication and criticism.

Modern Painting is attempting to be away from its traditional approach and instead new patterns begin to emerge. As a result of their uniqueness, now artists begin to develop their own style. The essence of the artists’ styles is distinctive and unique. Contemporary artists are constantly in pursuit of paintings in all their diverse forms.

Jackson Pollock, the well-known American Abstract Expressionist (Jackson Pollock, 1912~1956), once said “painting has its own life, my task is to make it the birth of life.” Forms have had a great influence on him. On the basis of an object’s chromogenic colour, forms can demonstrate their results. To some extent, the existence of shape and colour shares similarities with one another, which in fact shape and colour are inter-dependent and like the two sides of the same coin. Art performance and emotional expression have now evolved to a variety of creative forms in which do change along with times, space and circumstances.

This dissertation will be divided into five chapters, the first chapter: essence of personal creation, the second chapter: establishment and performance of abstract concept, the third chapter:“Shape & Colour and Transmittance” in formal analysis, the fourth chapter: personal analysis of creation and the fifth chapter: conclusion. The first including: unleashing the artist’s creative artwork, getting in touch with the area of abstract painting, analysing the sources of personal inspiration and personal creative artworks as well as making breakthroughs on future development.
From the outset of the artist’s experience of abstract expressionism, the combination of artist’s life experience and an internal dialogue between ego and the self develops her personal creative style of abstract paintings in oil.

並列關鍵字

Shape ； Colour ； Transmittance

參考文獻

Herbert Read作、梁錦鋆譯，《藝術的意義》。臺北：2006，p.35-36。

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