黑色單位－浮動空間中的影像

《摘要》　　本創作論述是作者針對二零一零至二零一三年間創作作品所做的相關敘述。內容主要涉及個人在創作作品脈絡中的詮釋與價值觀，更是個人在創作上思維與邏輯的自我檢視，透過創作的動機回溯，在創作形式及作品內容的發展上，進行個人創作的釐清與剖析。　　論文標題為：黑色單位－浮動空間中的影像。黑色單位是用來象徵著「內在陰影」，所形成的心理「分泌物」。浮動空間：則是一個由這些黑色細胞物質，所建構出的內在心理場域。藉由「青蛙公園-微型俱樂部」系列作品的風格與形式，從創作脈絡作品中對本質和所關注的核心問題進行說明。　　內文架構第一章，試圖說明創作研究動機、創作研究目的、創作研究範圍。首先，從關於創作，討論個人面對創作時大量記憶及影像訊息所交融再現的情緒狀態，並以繪畫創作重組內在意象的影像關係。第二節方法與媒介，將以具象繪畫討論寫實主義與機械攝影影像，並對它們提出看法，主要立場是基於個人創作過程中，對方法與媒介的觀看與認知。第二章，生活、記憶與再生產的影像，書寫文本的敘述經常顯示出個人權力、位置與主體性，其中文本與影像往往經由之間的聯結產生變異性，本章將對個人的記憶、心理狀態及畫面中的元素進行詮釋。第三章，異質空間中的質變作用，空間中透過訊號（或指生物細胞）擴散、分裂，使原本空間的屬性經由它者的介入產生質變，而形成另一種影像敘述的孤立性，嘗試由主體與潛在細胞探討空間介面的屬性及關係。第四章，將針對黑色細胞的發展進行說明，以系列作品為例提出問題和討論。結語：針對作者此時期階段作品做出總結，及提出創作階段的綜合心得，與未來創作發展計畫。

關鍵字

異質性空間；記憶；創傷；黑色單位；陰影

並列摘要

《Abstract》 This thesis aims to introduce Yang Hong Yu’s works and creation process dating from 2010 to 2013. Creator examines the creation cogitation and logics through the dissertation which involves his own perspective, interpretation and values. By reviewing the creating motive, creator analyzes and clarifies his creation from the development of the format and content. In the title “Black Elements: Image in the Floating Space”, the Black Elements symbolize the inner shadow formed by the mental “Secretions,” and the Floating Space is described as the mentality which is constructed by the black elements. Through the style and format of the series work “Frog Park: macro club”, the essence and core inquiry in creating process is explained further. In the first Chapter, the author attempts to explain the research motive, goal and scope of creation. In the first section, facing the mental status reflecting the mixture of large amount of memory and image signals, creator tries to restructuring the meaning of the imagery relation by painting. In the second section: Method and Medium, by discussing the realism and mechanical photography imagery in concrete painting, the author interprets his point of view based on the recognization of medium observation in his creation process. The second chapter: Life, Memory and Reproductive Image, indicates the writing context often reveals the authority, position and subjectivity of individual. In the same time, the variation occurs frequently through connecting the writing and image context. The author develops his interpretation from personal memory, mentality and the element in the works. The third chapter: the Variation in Heterotopias. By the expansion and split of signals (or biologic cells), the original characteristic of space transforms. Thus, the other individual image description forms. The creator tries to investigate the relation and property through subjective and the unseen element. In the fourth chapter, the black element development will be more explained. The series works will be the examples for further deliberation. Conclusion: review the works from different stages, and conclude the general idea for future creation plan.