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摘要


《平行線》分為三條故事線,交錯穿插。敘事線是斷裂的,但三道線條卻可從某個角度彼此疊合,回溯到同一場殺人事作的原出發點;故事中的角色似乎都是死者,卻又更像永恆存在的某些亡靈,在一片黑暗的煉獄之中,叨叨絮絮地講述一個又一個他們生前交錯重疊,充滿痛苦、充滿恐懼的回憶故事,並在其中找尋著最後一點點的愛與善良。

關鍵字

舞台劇 劇本 死亡 罪惡

並列摘要


“Parallel Line” is a play about three story lines twisting together, intersecting and crossing to each other. The narrative skill is in a fragmental way, but the three lines of story can be overlapped on one special angle. It can be all tracing back to a murder case at the beginning. And all the roles in the play were already dead, which more like some everlasting revenants. And they are murmuring one after another memory about their experiences, which were full of distress and horror in their lives. And in the darkest purgatory, all the souls are scouring for the last pieces of kindness and love in the catastrophic desperation.

並列關鍵字

the living theatre drama death crime

參考文獻


Brook, Timothy(卜正民),黃中憲譯,《維梅爾的帽子:從一幅畫看17世紀全球貿易》。台北:遠流,2009年。
-----著,吳潛誠校譯,《給下一輪太平盛世的備忘錄》。台北:時報文化,1996年。
Vargas Llosa, Mario(巴爾加斯.略薩)著,趙德明譯,《謊言中的真實》。昆明:雲南人民,1997年。
參考書目
思高聖經學會譯釋,《聖經》。香港:思高聖經學會,1989年。

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