摘要
摘要 我的創作圍繞在一種實體地方空間的探討，由紙盒包裝體開始，延伸至居住建築物內的包覆狀態，盒型容量所建構、堆積的城市，在作品中以自然「展開」的邏輯狀態，將日常中的建築體從立體轉至平面化，來分析和探討處於城市中的空間矛盾感，展開與組合的僞建築物影像，是我作品中主要的概念。 由第一章最初的動機與方法談起，在第二章中則探討盒型中的容量與展開，第三章則是談論作品的形式和理論基礎，如何構成創作的手法，從第三章第一節 中的1 . 截取至2 . 拼裝，以概念分別來說明攝影、繪畫性和真實微縮化，這些觀念於作品中的動態樣貌。第四章是談到表皮，第五章則描寫到作品中的內容，由 〝假想中〞為出發，分別歸類為 摺疊與去除、模型遊戲的動態想像、對建築的假想、空間內的嘗試這四個部分，對不同作品敘述創作的想法和概念。
並列摘要
Abstract In my work, I try to discuss substantiality in space via cartons and to extend a concept of cladding state inside the buildings. The cities which are constructed and aggregated in the form of cartons. I intend the cartons to be used in a naturally〝unfolded〞 logic, and then to convert the buildings from three-dimension to the plane. I try to discuss the contradiction in living space, and make up the images of 〝quasi - architectures〞in an action of unfolding and turn the buildings into the fake representation(the quasi – architectures). In the first chapter, it is about the intention of my works. In the second chapter, I discussing concepts of capacity and unfolding of cartons. The third chapter is about creation techniques and related theory. In the first section of this chapter are 1. Cropping、2. Collage, which discerning features of photography、painterly and micro-reality in my works. The fourth chapter is about the surface. The fifth chapter is about work description, I try to make up the following sections : the fold and skim, the movement visualization of model game, the imagination of architecture and the interior of house for expanding my works description which started from imagination inbetween cartons and capacity .