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摘要


「波」的論述建立在懷德海的機體哲學上,認為自然是有生命的大機體,由無數的小機體組成,自然在萬物無止的互動下運作,這些軌跡在時間上並列,展開為歷程結構,也就是波;這個時間模型,將運動與歷程數據化,分析每一個波的主題,等於看見某生命的狀態。 在論述裡會提到兩個重要觀念:[週期歷程]與[正反動力]----即是將某生命呈現為運動歷程,將開始到結束,視為一個波,這個波是目的力與反作用力的一元動力,並含有終結意涵,使它自身擁有走至完結的能力。我們利用意識來參與眾多的波,交會時,世界(自然)在當下被認知,意識讓世界(自然)靈光乍現在我們眼前後隨即消失,留在意識裡的,成為對世界的片面了解,然而世界依舊運作不已。 水良克先生,是林昆穎的意識身份,雖然在通篇論述裡沒有出現,卻含有雙重意義,一是說明意識必然獨立存在,二是證明自己是自己的意識;水良克先生是談論自身的獨立意識,它代表著每一個其他意識都是獨立的討論它自身,這眾多的獨立意識參與世界時,迸發出無數次的當下,是一也是多,不停運作著,講述的生命法則直至終結。 波的一體論,以探討我的思考為主,共分為四章,第一章[波]--講述純物理概念的波型態,第二章[大小波的內外交錯形構]--談到波的共構狀態並抽出意識為另一論述軸線,第三章[試 反波的一體論]--單獨討論意識環境,第四章以作品類型分類,描述創作內涵與過程,它忠實的對應了波理論的完整概念。章節依照順序,從[波概念]開始,談至[波概念與我],再談[我],最後談[我的創作物],讓這樣的結構在論述上呈現出波的想法。 波的一體論,不單是對作品的論述,同時是為我自己整理的宇宙觀、人生觀,我能把世界做這樣的了解,是個享受,充滿了幸福,我在創造水良克世界時,便是這樣,充滿了關乎情緒的美。懷德海曾在《思維模式》一書的結語:哲學是像詩一樣的(Philosophy is akin to poetry)。一個人對自己的哲學,就有如精練過情緒後的詩,我亦如是。

關鍵字

循環 懷德海 機體

並列摘要


The theorization of “Wave” is based on Alfred North Whitehead’s organic philosophy. According to Whitehead, Nature is a gigantic organic entity constituted by countless small organic entities. These entities interact with each other and form the working of nature. If we follow the traces of these entities, we can see that in the course of time they lie in parallel and unfold as different progressing structures—these are the waves. Each wave is like a temporal model. By analyzing each wave’s progress and its theme allow us to glimpse at the state of a being in the course of time. In this thesis, there are two important concepts: progress of cycles and force and counterforce. To unfold a certain theme as a progress of movement is to see it as a wave that implies a progress from a starting point to an end. It also implies a force of purpose and its counterforce, both as one dimensional. These two forces move a certain wave from its beginning to an end. When a consciousness interacts with different waves, reality/world is perceived at the moment, in which our consciousness allows us to form a partial understanding of the reality/world. After the moment is passed, what’s left in our consciousness is a fraction of our understanding. Nature still moves on. Mr. Lunc is the identity of my consciousness. Although this identity is not textually visible in the thesis, it carries double meanings: firstly; one’s consciousness is an independent existence. Secondly, I am my consciousness. Mr. Lunc acknowledges my own awareness and contemplation on the independent consciousness. It voices the message that every consciousness is an independent expression of itself. Each consciousness interacts with this reality/world and creates countless moments working along with the great law until the end. This thesis consists of four thematically interlocking chapters. The first chapter “Wave” presents the pattern of wave in a concept of physics. In the second chapter “The Inter-crossed Structure of Big and Small Waves,” the synchronized existence of waves is explained and the idea of consciousness discussed. The third chapter “The Union Theory or Counterforce” solely interrogates the environment of consciousness. The last chapter presents three pieces of works created corresponding to the concept of and thoughts on the wave and delineating the meaning of the works and their process of creation. The four chapters progress from the concept of wave and moves on to the relationship between the concept of wave and I. From the consciousness of I, it goes to my works. This structure in turn reflects the concept of wave itself. The theory of wave is not only a theorization of the work but also my personal belief of life and the cosmos. I was filled with bliss to explore the world in this way. When I was in the process of creating the world of Lunc, I was overwhelmed by the beauty of emotion. In Modes of Thought, Whitehead once mentioned, “philosophy is akin to poetry.” A person’s philosophy of oneself is the poetry created after the refinement of emotion. Mine is as well.

並列關鍵字

cycle Whitehead wave organic

參考文獻


Robert Sokolowski,《現象學十四講》(Introduction To Phenomenology),李維倫 譯,台北:心靈工坊出版社,2004。
Jacgues Derrida,《他者的單語主義:起緣的異肢》(La Voix le Ph`enom`ene),張正平 譯,台北:桂冠出版公司,2000。
Roland Barthes,《神話學》(Mythologies),許薔薔 譯,台北:桂冠圖書出版社,1998。
唐力權,《周易與懷海德之間—場有哲學序論》,大陸:瀋陽遼寧大學出版社,1995。
Edmund Husserl,《邏輯研究(第一卷)──純粹邏輯學導引》(Logische Untersuungen(Erster Band)Prolegomena zur reinen Logik),倪梁康 譯,台北:時報文化出版社,1994。

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