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摘要


劇本以民國八十四年二月中旬,臺中鄉間的濟公明心堂作為時空背景。已兩週未有濟公活佛降駕辦事的神堂裡,同時有濟顛與孟婆的神仙對談,也有桌頭林仔、信徒進財及阿雲透過師尊(濟公乩身)的求神問卜,以此窺見凡人向神明訴說的過程,並塑造神仙的眾生相。創作報告包含故事發想、時空人物設定、劇本的不同版本及閩南文字的使用。

關鍵字

濟公 孟婆 閩南語文字

並列摘要


The story of the play took place in Ming-Shin Hall in Taichung Country, where the Holy Monk Ji-Gong (濟公), who hadn't descended for two weeks, met the Saint Granny Meng (孟婆). The dialogues between the two deities reflected their observations on people who worshiped and served them. The master (the incarnation body of Monk Ji-Gong), the translator-assistant Lim-e (林仔), the worshippers Tsin-Tsai (進財) and A-Hun (阿雲) gathered in front of the altar, telling their prayers and wishes. My report comprises discussions on ideas of the story, the space-time background and characterization, the progress of the different versions of the play, and the use of Taiwanese dialect.

參考文獻


龔卓軍、高森信男、陳莘主編。2014。《鬼魂的迴返:臺灣當代藝術中的幽靈徘徊學》。臺北:財團法人邱再興文教基金會。
Armstrong, Karen(凱倫.阿姆斯壯)著,賴盈滿譯。2005。《神話簡史》。臺北:大塊文化。
江口夏實,《鬼燈的冷徹》(鬼灯ソ冷徹),2014(播出)
著者不祥。1980。《濟公傳》。臺南:利大出版社。
《玉歷寶鈔》:相傳作者是宋代淡痴道人,1098年由弟子勿迷道人刊行。白話版網路資源:http://book.bfnn.org/books2/1471.htm,2015/6/16。

延伸閱讀


  • 張東雄 (2020). 哪會無來. 海翁台語文學, (226), 69-69. https://www.airitilibrary.com/Article/Detail?DocID=P20121018003-202010-202010200011-202010200011-69-69
  • 徐藝華(2006)。沒什麼好大驚小怪?!師友月刊(463),112-113。https://doi.org/10.6437/EM.200601.0112
  • 宋泉盛(2001)。全地畏懼,默默無言?道雜誌(4),84-90。https://www.airitilibrary.com/Article/Detail?DocID=a0000008-200110-x-4-84-90-a
  • Grigoriadis, K., & Yedavalli, R. (2000). Forward. Mathematical Problems in Engineering, 2000(), i-i. https://doi.org/10.1155/S1024123X00001277
  • 王榮德(1993)。Forward中華民國公共衛生學會雜誌12(4),325-325。https://doi.org/10.6288/JNPHARC1993-12-04-01

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