- 學位論文
德布西鋼琴作品《映像I & II》創作手法之比較
The creative approach research of Claude Debussy piano works ”ImagesⅠ,Ⅱ.”
摘要
本文將探討德布西的鋼琴作品《映像Ⅰ、Ⅱ》的創作手法比較。其比較範圍將以下列五大要素，即：旋律、音階、調性、和聲、節奏，作為研究內容。 全文共分為五章：第一章為「緒論」，探討了研究動機與目的，並闡述研究範圍與方法。第二章旨在探討「德布西的生長年代與鋼琴創作音樂」，除了依序介紹德布西的生平與音樂生涯、以及十九世紀末法國文藝背景與對德布西的影響外，並將德布西創作風格與手法之養成，做進一步的了解，最後再把德布西一生的鋼琴作品，分成三個時期列比表對照。第三章針對了《映像Ⅰ、Ⅱ》集的全部六首樂曲，進行曲式結構與分析。第四章進入了主題，將《映像Ⅰ、Ⅱ》集全部樂曲的創作手法，做了簡明扼要的說明及對照。最後第五章結論，為本論文作出重點式的歸納及深入淺出的結語，作為全文的結束。
並列摘要
This paper will explore the works of Debussy's piano "Image Ⅰ, Ⅱ" creative approach compared. Its scope will compare these five elements, namely: melody, scales, tonality, harmony, rhythm, as the research content. The full text is divided into five chapters: The first chapter is "Introduction", explores the motivation and purpose of research, and describes the scope and methods of research. The second chapter aims to explore "the growth of Debussy's piano music creation", in addition to sequentially introduced Debussy's life and music career, as well as the impact of the nineteenth century French literary background and outside of Debussy and will develop a writing style and technique of Debussy, further understanding, and finally the piano works of Debussy's life, is divided into three periods columns than table controls. Chapter III for the full six-song "Image Ⅰ, Ⅱ" sets, musical structure were analyzed. Chapter IV into the theme, the "image Ⅰ, Ⅱ" set all music creative approach, made brief description and controls. Finally, Chapter conclusion of this paper and summarized in simple terms to make the focus of style conclusion, as the end of the full text.