台灣都會影像的數位再現-李文政作品詮釋

本文主要分為1.時代背景與麻木的生活空間2.環境與創作的關係3.自我認同與實驗在地文化，每個作品分別就議題與創作方式及媒材找尋理想的創作模式。在崇洋、歐風、哈日、韓流，前進中國後，我們還剩下什麼? 從小對美感的經驗與養成，來自街上的漫畫店，成長背景與最愛的事物來自外來的文化衝擊？有天醒來才發現活在邊界的可悲？不記得美術教育給了什麼？感受了什麼？連在那裡生活都不清楚？當代藝術是我試著回答與實踐的方法，讓世界變成玩具，轉換看世界與環境的方法，思索文化飄渺的議題，讓每次的工作與創作中，形成新的文化，嘗試建立起屬於在地的文化美學與經驗。在攝影的創作過程中，總是刻意避開台灣不完美的角落與陋習，只呈現美好的構圖。在反覆的尋找中，驚覺發現，不應該只尋求美，更應該反思日常生活中的環境與習慣，正式我們的麻木。美術訓練後，創作只為了美化環境？還是在醜的背後卻也彰顯群眾的生命力?不斷的田野調查與旅行攝影後，針對環境的各面向，如城市風景、海島型態、群聚生活等作出不同的探討。大量拍攝的真實環境照片，藉由數位合成做出台灣的當代風景，在攝影本質的紀錄性與數位影像的可造性裡呈現誇大的生存影像，思考所處的時代與現況，由數位勞動的過程及田野精神，呈現在地的文化世界，把影像當作玩具，找出世界的各種可能。

關鍵字

機器人；數位影像；數位動畫；攝影；在地全球化；台灣

並列摘要

This article is mainly divided into 1) Time background and insensitive living spaces; 2) the connection between the environment and creation; 3) self-identity and local-culture experiments; then it searched for the ideal mode of creation according to the topics, creating methods and media for each work. After the western-worshiping, European trend, Korea- and Japanophile, and "Let's Go To China", what else do we have left? Your childhood aesthetic experience and development was from comic book shops, and your past and favorite things were from the out-coming culture shock? Woke up one day realizing you're living at the fringe? Can't remember what the fine-art education left you? Can you feel it? Can't figure it out where you belong? Contemporary art is the method and practice I try to answer with; make the world a toy, change the way we look at the world and environment, think about the misty issues of cultures, and create new cultures in every work and creation, so that we can establish our local cultural aesthetics and experiences. In the creating progress of photography, we tended to avoid the imperfect corners and bad habits, and present only beautiful compositions. After repeated trying, I vigilantly realized that we shouldn't seek only beauty but also reflect the environment and habits in our daily lives; furthermore, to look right into our insensitiveness. The fine-art training was only for the creation to beautify the environment? Or to highlight the vitality of the people behind the ugliness? This article provides different discussion and orientation for a variety of environmental issues, such as urban landscape, island type, community lives and so on. By a large number of real-world photos and digital synthesis, the seemingly real and surrealistic landscapes of Taiwan were created. With the images of the survivals exaggerated by the record nature of photography and flexibility of digital images, we are able to think about our time and situation by the process of digital effort and field spirit, to present the local cultural world, to transform images into toys, and to find the possibility of our world.