摘要
「演戲讓我明白我的暴力和擺脫暴力。當我完成電影《飛車黨》（The Wild Ones）之後，我想暴力已離我而去。」 ∼馬龍．白蘭度（Marlon Brando） 以生活中的我出發，尋找與角色的認同，企圖利用演員與角色之間相似的經驗，建立出真實的「人物」而非「角色」。並在演出過程中，補捉當下真實感受，以因應場地與場地之間、演員與演員的轉換之下，所帶來的激刺與變化，演員調整表演細節的「因地制宜」，使表演處於有機卻不失控的活性中。 如果以往的表演經驗，是演員往角色靠近，那麼這次的演出便是將角色往自己靠近（非以「自己」演出）嘗試。並在這一整個排練、演出的完整程後，尋找演員自身經驗的出口，以期達到一種「自我治療」的效果。
並列摘要
I started from my own life, looking for similarity in between my life experiences and the character’s, attempted to use the processes of identifying between the actor, myself, and the character to establish "the truth of a character"rather than just a "role from the script." And, to capture the true feelings of the momentn in responses to different spaces and to the change of casts, it stimulates me to adjust myself. The adjustments in details bring new spirits for acting. It also shows how actors have great control of their own skills. Past performing experiences were actors to get close to the characters, however, this time, it is for us to try to pull the characters lives closer to our own lives,(it is not just to act yourselvs out on stage.) After the rehearsal period and performances, it is a processes for actors to grow inner piece from their own life experience and achieve “self-healing.”