晚清宮廷劇團「普天同慶班」研究

The Study of “Pu-Tian-Tong-Qing Troupe” in the Inner Court of Late Qing Dynasty

游富凱(Fu-Kai Yu)

指導教授 ： 張啟豐

國立臺北藝術大學/戲劇學院學術論文/戲劇學系碩士班/碩士(2010年)

https://doi.org/10.6835/TNUA.2010.00049

摘要

「普天同慶班」是一個由晚清內廷太監所組成的戲班，一般又稱「本宮」或「本家」。此戲班並非由昇平屬管理，而直接隸屬慈禧太后，可視為其私人戲班。在清代內廷演劇發展中，「普天同慶班」實為晚清内廷演劇主力，其演出劇目以亂彈戲（皮黃）為主，演員且受民籍藝人楊隆壽、王楞仙和譚鑫培等人指導，表演技藝有相當水準，在宮中具有特殊地位。本論文即針對「普天同慶班」之形成、組織架構、代表性演員、演出劇目和演出場域，以及其在晚清宮廷演劇所具有之意義等，進行深入探討，期望能進一步了解「普天同慶班」的活動軌跡，開啟探討晚清內廷演劇之另一論述場域。

關鍵字

內廷演劇 ； 宮廷劇團 ； 普天同慶班 ； 亂彈 ； 慈禧太后

並列摘要

“Pu-Tian-Tong-Qing Troupe” was assembled by the eunuchs of the Inner Court in the late Qing dynasty, also known as “Ben-Gong” or “Ben-Jia”. This troupe directly belonged to Dowager Cixi but not governed by the Sheng-Ping office; thus which was also regarded as a private troupe. In the development of the Inner Court Opera of the Qing Dynasty, “Pu-Tian-Tong-Qing Troupe” Troupe was indeed one of the most important troupes in the late Qing dynasty. Luan-Tan Opera (Pi-Huang) was the main genre which they performed the most; the actors were instructed by some famous civil actors such as Yang, Long-Shou, Wang, Leng-Xian, and Tan, Xin-Pei. That instruction not only made the troupe had great performing techniques, but also indirectly helped the actors enjoy a high status in the Court. This dissertation carries out an advanced deliberation in the categories of the formation, the organization, the representative actors, the play list, the stage of the troupe, and the significance of the troupe in regard to the Court Opera in the late Qing dynasty. Aim to have a better comprehension of the behaviors of “Pu-Tian-Tong-Qing Troupe”, and to initiate a new direction of the research of Inner Court Opera in Late Qing.

並列關鍵字

Inner Court Opera ； royal opera troupe ； “Pu-Tian-Tong-Qing Troupe” ； Luan-Tan ； Dowager Cixi

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