摘要
本論文旨在個人創作經驗的整理，與日常生活、身體及物體的關係。由一個居住經驗出發，開啟對物體的關注，以創作思考身處的環境，藝術創作成為個人式的整理、宣洩、反芻的思考行為。以反身自省的姿態，成就日常生活的實踐。日常生活因此具有創造力，並在不斷實踐的過程中找回自身的主體性。 第一章講述個人生活經驗與物體的關係，在自我提問中，創作行為作為一種思考方式。第二章以不同形容詞帶入作品中的特質與信仰，並有著藝術史的參照。第三章討論創作的主要兩個概念，由堆積組合與修復的創作方法延伸至家屋與理想世界的思考。最後一章以實際展覽操演為例，討論空間的運用和觀者的角度。
並列摘要
The essay aims to clarify my artworks and personal experience which relates to daily life, body and objects. Because of one experience of residence, I started paying attention to daily-life objects and use those materials in my art. Making art is the way to help me thinking about the environment and the society where I live. It becomes a personal artistic style to clarify, express, and give feedback. With self-examination, people can achieve the practice of everyday life. Therefore, everyday life becomes creative. People can retrieve their own subjectivity in the process of continuous practice. The first chapter is about the personal life experiences and relationship with objects. In the self-questioning, making art becomes a way of thinking. The second chapter describes some various adjectives which relates to my works, and points out distinct characteristics and my belief in God. In this chapter there are comments and reference to art history. Chapter III discusses the two main concepts of my art, combination and restoration. These two concepts extend to the ideas of House and Utopia. The last chapter is a discussion on space and audience, and takes some exhibitions for example.