幾微--探討攝影作為物我關係的反映

Subtlety - A Study of Photography as Reflection The Relationship between Individuation and Substances

卓卿祐(Qing-You Zhuo)

指導教授 ： 陳世明

國立臺北藝術大學/美術學院/美術創作碩士班/碩士(2005年)

摘要

從興趣與想望閉始拍攝自然界裡的物件，試圖闡明我與一個物的對應。面
對認知取拾，則將思考脈絡轉向古代所討論的物我關係，即個體與週遭各種物
之間產生聯繫的道理，藉其中有關影像的層面探討「幾微」概念。攝影運用一
套使對象顯示、放大、固定於平面的方式，在動態變化的經歷之中接應形狀，
以靜態檢閱，反映式地取出形式。從看待物的心態轉化，到介入形塑物再現的
實驗，牽涉到動靜內外的溝通。學習回到簡單的形式元素，作為個體化持續發
展的推移依據。

關鍵字

幾微 ； 攝影 ； 反映 ； 個體化

並列摘要

Because of interest in image and wonders of nature, I have begun taking pictures
of nature's objects. In order to expound what a single shape means to me, I began to
refer to the ancient documents that discussed the relationship between individuality
and substance, and I studied the reasons why individual gets the ways by the
connection of environmental variety. It is called the concept of "subtlety"，and I
long for exploring the component part of image．Photography has established the
transformation between dynamic variation and static review; I reflect and catch the
forms of object. As regards the inner transformation of object, it is available for me
to make the reproductions in detail by photography; the reproductions could cause me
communicate with inner form and outer appearance．After all, while I come back to
investigate simple forms, the essential elements of object, I have to find out the ways
where individuation goes forward and depends on.

並列關鍵字

subtlety ； photography ； reflection ； individuation

參考文獻

傅佩榮，《解讀易經》，台北：立緒，2005。

Herbert Read，李長俊譯，《現代雕塑史》，台北：大陸，1990。

Roland Barthes，張碧珠譯，＜論攝影一羅蘭巴特訪問錄＞，《當代》，1995，期

Edward Weston, The Flame of Recognition,

Elizabeth A. Brown, Brancusi Photographs Brancusi,（London：T&H, 1995）．