繪畫的意識空間

本創作論述為個人學習繪畫過程中創作心得的整理，針對作品與自我之問的關係，反映出個人的創作觀點。以「繪畫的意識空問」為創作命題，乃是根據繪畫與文化之間、心理與創作之間的關係，進行生活的檢視與創作價值的探討。以下對本創作論述做扼要的說明：第一章：緒論。包括研究動機、研究目的、研究內容與研究範圍。內容為研究命題的界定，並說明與創作之問的關係。第二章：自我的意識。內容為闡述個人繪畫上的意識內涵。首先以藝術史的知識和美學的論證為基礎，探討抽象繪畫的多元性，再透過自我的紀錄，分析繪畫線條與書寫行為的關係。第三章：繪畫的結構。針對個人繪畫作品裡的形式與內容，包括：視覺比例、色彩、繪畫空問和創作手法。第四章：延伸繪畫的可能性。經由對照自己與美術史上的作品，探討抽象繪畫形式與風格的發展，並進行個人繪畫延伸可能性的省思。

關鍵字

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並列摘要

This Creative Discussion is presented as an arrangement regarding creative thoughts of the author/artist during the process of learning to paint. The relation between the artist and the work of art reflects the creative points of view of the individual． Using the conscious space of painting’as the creative title is to survey one's existence and probe into creative values, based on the relation between paintings and cultures, and that between the psychology and the creation. This Creative Discussion is summarized as follows： Chapter One: Introduction, The motive, purpose, content and the scope of the research, is to define the proposition of the study and to explain the relation between this dissertation and the creation. Chapter Two：Self- awareness. This chaper expounds the content of consciousness regarding author's paintings ．First, it is to explore the diversities of abstract paintings, based on the knowledge of art history and the debates of aesthetics. It also analyses the relation between the act of drawing lines the act of writing through self recording. Chapter Three: The structure of paintings. This Chapter is about the form and content in painting creations, including the proportion of vision, color, painting space and creative techniques. Chapter Four: The extension of the possibility of the painting. The author discuss the development of forms and styles in abstract paintings and ponders over the extension of the possibility of individual painting, through comparing the works of the author with those in art history.