本創作報告紀錄 2015 年 12 月,於國立台北藝術大學戲劇廳演出的劇場藝術創作研究所(導演組)畢業製作《玩命諾拉》,相關創作理念與製作過程。《玩命諾拉》改編易卜生《玩偶之家》,以原劇中的經濟(金錢)因素為主題,以類型化風格嘗試經典改編的可能性,並探討十九世紀《玩偶之家》中的主題,在當代社會的新面貌。 本報告之範圍從創作發想、參考演出、原劇文本分析、改編文本之說明,再到製作與排練過程的檢討省思,進一步思考導演創作的個人風格、工作方式、演出效果,及經典改編中的文化性跨越問題,以期實驗出一條可以面對西方經典作品的在地工作方式。
The thesis takes the records of the creative idea and production process of the graduation theatre performance: Nora Kills, which was shown in December, 2015 in the theatre hall in Taipei National University of the Arts. It’s the adaptation of Henrik Ibsen’s most famous play A Doll’s House. The director chose the economic/money issue as the main theme with the stylization of the characters and plots to find a new way of adaptation, trying to find a new look of the theme in this 19th century script in contemporary society. The thesis includes creating concept, performance references, original text analysis, adaptation analysis, production process and rehearsal process. Trying to reflect into the personal style of director, working method, performance effects and cultural problems, finding a way to work on the local adaptations of western classical plays.