平行視域─現代繪畫的感官實驗

摘要就此研究論述，個人創作關注於平面繪畫如何呈現出視覺的感官感受，在中西文化二種不同藝術發展系統的形式表現下，依循視覺形式的實驗可能，試圖融合，成就在視覺觀感下非衝突性的視覺再造與再現。在創作的角度，觀看與思維所能表達的是一種不確定性，模糊、偶然、不可捉摸、不可表達、不可設定與不可化約的精神狀態，在思維模式、品味與事物狀態中呈現出一種獨特的趣味感。被稱為21世紀後現代的人們，不會再顧忌合理邏輯思維與反省，嚴謹系統的理性活動容易被再次忽視，只注重「當下」立即可以達到歡樂目的，並期待直接獲得驗證而有效率的完美結果；不再追求複雜曲折的真理或各種抽象的理念，而在乎於滿足隨社會激烈變動而不斷地進行自我改變。虛擬想像的個人欲望、社會物件的複製，高節奏與高效率的加強版，也促進了人們「光看不想」、「一看就信」的傾向。在當代高度文明的生活場域裡，圖像的堆砌、真理的迷失，接收的竟是不再單純的表象，交錯編織著不再是合乎道理的結果。這是21世紀的生活現狀，在個人創作中的不確定性，也企圖呈現出最符合當下的思維現狀。第一章：緒論，主要述及創作研究的概括說明，包括研究動機、研究目的、研究方法。第二章：則是創作主題的組構與理論說明與學理基礎，將作品的藝術形式在傳統水墨藝術中找尋繪畫元素的依據。第三章：就主題創作內容形式的分析和思考，說明創作構思與內容探討。第四章：個人創作作品如何與當代藝術作品的對應關係，提出與個人作品形式較接近的當代藝術創作，做進一步彙整與相較比對。第五章：結論，對本創作論述的研究歸結與心得整理。

關鍵字

感官感覺

並列摘要

Summery In this research it is concentrated on how personal painting arts creation could demonstrate sensory perception and. also how the both oriental and western arts featuring different arts development and evolution systems could be integrated for creating non-confrontational visual recreation and representation in respect of visual sensory perception by means of experimental visual image forms. In view of arts creation, logic reasoning and flair and object appearance would characterize a unique interest, because both observation and conception would engender incidental, ambiguous, occasional, elusive, ineffable, wild, and formative and irregular mental status. Since the modern human beings, namely post-21st century, prefer ignorance of rational behavior with conscientious mechanism in favor of reluctance of rationally logic reasoning and self retrospect, emphasis on “immediately available” joy and expectation of directly accessible proof and efficient perfect outcome thus prevail. The motivation for coping with increasingly social evolution by means of perpetual self changing is thus more preferential than pursuit of sophisticated and comprehensive truth or any abstractness. Virtual stimulation of personal desire, imitation of social behavior, strengthening efficiency and progress also lead to the prevalence of the tendency of “preference of imagination” and “believing upon vision”. It thus occur such phenomenon as unorganized human mood composition, truth unconsciousness, vanishing perception of simplifying expression, interwoven, common belief of irrationality in such a highly civilized society nowadays. Therefore, the human society in the 21st century characterizes personal creation full of elusion, accordingly with demonstrating the current philosophy distinctly nowadays. Chapter 1: Summary, Mainly depicting briefly the creation research, including the motivation, purpose and methodology applied in this research. Chapter 2: Explaining the constituent, and theory analysis and academic basic of the creation themes and the searching painting element basis by means of applying expressionism of arts creation in traditional Chinese brush painting arts Chapter 3: Stating the creation conceptualizing, and contents discussion by evaluation of the analysis and logic reasoning of creation composition establishment Chapter 4: Interpreting the counteracting relevancy between personal arts creation and modern works of arts and further summarization and mutual comparison by description of the modern works of arts featuring high similarity with personal arts. Chapter 5: Summarizing and making conclusion of the research procedures and mechanism for this research.