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  • 學位論文

二胡形制與製作材料沿革之研究

The Study of the Form of Change and Development about the ER_HU make material

指導教授 : 王美珠
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摘要


本論文研究的內容,主要從1906年為開始,由周少梅、劉夭華所建立的現 代二胡學派,在歷史上各個時期的二胡形制演變過程。除此,並以下列五個與二 胡相關的事實,輔以說明二胡在演變過程中的相互影響: 一、早期胡琴歷史的演進考證。 二、政治力的帶動與影響。 三、二胡製作材料與眾說紛紜-老紅木迷失的說明。 四、二胡發聲的膜鳴材料-蛇皮的使用狀況。 五、琴弓、琴碼、千金、窗花、琴軸、琴弦等各種時期演變的形式。 研究發現,二胡自劉天華創立現代二胡學派以來,二胡的形制一直沒有脫離 劉天華的設計理念。雖然期問(1950-1960)出現瞎子阿炳(華彥鈞)與孫文明等 民問音樂的融入,但卻不影響劉天華的形制系統,反而更加完善整個體制的形 成。因此,本文中毅然以劉天華為「二胡之父」作為研究的偵結,應是足以在此 階段對二胡治革提出具體的事證。同時,也提供一個新的議題與觀點,對後續研 究二胡沿革的延伸。

並列摘要


The research project contents the School of Erhu established by Mr. Chou, Hsiou-mei and Mr. Liu, Ten-hwa back in A.D. 1906 and the evolution of Erhu making during the history. Moreover, listed below are 5 Erhu related documentations and their interactions throughout the evolution: 1. Investigation on the early history of Erhu evolution. 2. The political promotion and influence. 3. Reveal the mysterious street talk- Miss in the Old Redwood. 4. The sounding effect produced by the vibration of film material- the applications of python skin. 5. The evolution of Erhu form and style- Erhu bow, bridge, sting support, sound outlet, neck, and strings. The results demonstrated that the form of Erhu had not been modified much and redesigned since the School of Erhu established by Mr. Liu, Ten-hwa. However, with the inputs of blind Erhu folk musician A-bien (Mr. Hwa, Yan-jun) dated from A.D. 1950-1960 and Mr. Sun, Wen-ming, the Erhu style and form were not influenced yet approached toward perfection. Based on these results, this project concluded Mr. Liu, Ten-hwa as 'the Father of Erhu' and further supported by investigating many results.Meanwhile, this project also provides a new topic for open discussion and new viewpoint for future extending study of the Erhu evolution.

參考文獻


家具材料,吳或彰編著,正元圖書,1999。
商用木,王松永,林產工業叢書1-商用木材,中華民國林產事業協會。
The New Grove Dictionary of Music and Musicians, Sadie, Stanley, Ed.,London:
Macmillan Publishers, 1980.
The New Grove Dictionary of Music and Musicians, Sadie, Stanley, Ed.,2"d

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