心靈的共時性與媒體的歷時性關係

心靈層面與媒體藝術之間有著極密不可分的關係。因此，本研究將從這一兩年來的各種不同型態的作品探討心靈共時性和媒體歷時性的關係。在畢業創作的作品上，更嘗試以實驗的方法，輔以媒體為工具，並添加的相關腳印照片等等，表達一份"（虛構）腳印分析"的裝置作品，提供一個在心靈和媒體間共時性與歷時性關係共嗚的一個參考。以下探討媒體的共時性與歷時性的思考觀點我想以Deleuze 1988年的著作做為這兩者間的關係的主要的擴展工具（在此我會以德勒茲"單子(monade)"這個觀點嘗試解釋）主要的原因是我比較想要探討的是媒體與心靈當下共振的那層咸動，而非媒體的本身狀態。在探討的同時，不僅只是德勒茲的觀點，這本論文也會加入一些這幾年來在學習各種不同學問包括藝術包括各種學問各種不同的個人體會與看法（包括癲痛、Charles Bonnet syndrome二古怪疾病引發的我對藝術觀點）也許懂得不多，不過我相信一個問題的解答本來就不會具有絕對的答案，更模糊更廣闊更多元的引述下，將會激出越過解答的解答的火花與威動。

關鍵字

共時性；歷時性；媒體藝街；刑事鑑定（鞋印）；單子；分析心理

並列摘要

Mind and media art have extremely inseparable relations．Therefore, this research discusses the relationship between synchronic mind and diachronic media from this viewpoint for each kind of different works in the past two years．The thesis tries to take a scientific procedure as the method, auxiliarily take the media as the tool, and add the related footwear pictures and so on in order to express or fictionalize an analytic footprint installation. It provides a reference for the relationship between synchronic mind and diachronic media. As described below, the viewpoint of the book〈Le Pli. Lelblz et le Baroque> wrote by Deleuze,1988，is used to discuss what the thesis author thinks about the synchronic and diachronic media. The main reason is that the thesis author would like to discuss the touch resonates immediately between media and the mind, but not the character of the media itself. Through the thesis discussion, this thesis contains not only the viewpoint of Deleuze but also some kinds of different knowledge including art and each kind of different individual experiences as well as standpoints of epilepsy, Charles Bonnet syndrome, etc, which induced thesis author's arouse me to the artistic viewpoints．Maybe the thesis author does not understand much, but the author believes the answer of any question basically is not exact. Quoting indistinctly and extensively will make us to strike and touch more when we cross over the solution.