鏡像擬仿

存在主義學者一直致力於描述人存在的情境，透過不同時問與空問的轉換之下存在的價值與存在的意義為何？以及關於人外在和內在之問因為種種條件的轉換造成連續不斷的複雜情況和糾葛，矛盾錯亂的狀態，由於這樣的狀態而造成的本體不安和完整感的喪失。存在主義透過這樣的檢視來探討「存在」的議題，而本論文主要探討的重點也是從這裡出發。人透過鏡子來確認自己的形貌、情緒的反映和自身的存在狀態，而鏡像也映照出一種全然的熟悉卻又非全然真實的景象（鏡子的影像是左右顛倒的）一透過分裂與複製而產生的鏡像與主體之問的差異關係。另一方面本論文也將鏡像解釋的範疇延伸至照相機和攝影機成像媒體，去思考透過媒體的複製所產生的影像與主體之問的主從關係，複製的影像本身是否有可能取代主體成為另一種新的主體？已形成一種全新的現實，透過影像的拼貼與重組發展出另一種異想的景況「熟悉的陌生感」與「陌生的熟悉感」。以及經由大量複製的過程之後，主體原本存在的意義是否已被複製影像所削弱和扭曲？本論文透過作品的創作過程去詮釋與探討這些問題並透過不斷追問和回朔的過程中，從布希亞(Jean Baudrillard)的《物體系》[1]著作和拉岡 (Jacques Lacan)的「鏡像階段」[2]論述中找尋線索，企圖去整理出一個明確而清楚的脈絡和輪廓。哲學家保羅田力克(Paul Tillich)，曾言：「存在的表面結構已被破壞了，構成日常經驗的範疇已經喪失能力，本質的範疇已經失去，固定的物體如繩索般被絞曲，事物的因果關係被忽略，事物變成完全的偶然，短暫的連續已不再重要，一件事是發生於另一件事之前或之後都已不再重要，空問的向度被歸入或溶化於可怕的無限之中，生命的有機結構被肢解成個別的片段，並任意的重新組合，真實性已喪失取而代之的形式與本質背離的狀態。」這個論述很清楚點明了數位影像一個很重要的跳躍性的，非線性連續的因果特質，伴隨軟體功能的強大，影像可以輕易的合成、拼貼、挪用、竄改和組合，因而造成往往不容易去回朔影像最初原來的狀態，一個源初的事實指向線索的喪失，往往造成形式與本質背離的狀態，而這樣的背離狀態，所導致影像符號予人的疏離感和不信任感及連續性意義的碎片化，事實往往也隱含在身影背後，對影像主體的認同也隨之變得混亂，影像的它者取代了源初的主體，存在的真實性與虛擬性逐漸模糊也無從分辨，清楚的指涉意義已經喪失。同樣的本論文所探討的作品「鏡像擬仿(I)：與「鏡像擬仿(II)」乃著重在研究鏡像與擬像之間的擬仿關係，以及探討透過數位媒體作為再現的介面產生出的影像和主體外在和內在的差異性關係，還有主體、鏡像、數位影像這三者之問的互相依存關係，以及詮釋這三者個別的意義，甚至三者存在層次上的辨證關係。「鏡像擬仿(I)」以互動式多媒體為主要表現形式，在開頭動畫中，圍繞在鏡子四周各有許多個以不同速度和旋轉方向的鏡子，鏡子的影像有著各種不同的情緒，這隱喻著透過一個反射的鏡子再現過程，可以看到人潛意識中所潛藏的不同面向。作者在此作品中設計了許多不同的場景，觀者可以用自己的詮釋角度在每一個互動模式與情境當中去感受作者想要去傳達的意念，並且從中得到許多不同面向的情緒感受。「鏡像擬仿(II)」裝置作品中，運用了自動感應追蹤攝影的技術，成為此件作品主要的互動方式，當觀者進入到裝置空間當中後，攝影機透過自動追蹤程式運作，開始捕捉觀者的動態影像，並且同時把捕捉到的影像訊息傳輸到投影機中，因此當觀者看到桌上鏡子反射出自己的影像時，一旁的攝影機也會把觀者的影像投影至牆上，因此鏡像與投影影像會造成彼此交疊的狀態，造成一種虛實交錯的感覺。透過攝影機的設置，作品也暗示著人被窺視隱私，在一種被動的情況中，強迫接受自我隱私的公開化過程，人與科技之問產生一種希望透過科技的工具達到生活上的便利性，造成一種依賴的關係，另一方面科技的便利也逐漸讓人在生活之中造成被侵擾和不安的感受，如隱藏攝影機的偷拍和網路駭客侵入電腦偷取個人資料等等狀況層出不窮的發生，讓人開始去省思科技在現代社會中所扮演的角色和定位。

關鍵字

鏡像；擬像；主體；再現；互動式多媒體；追蹤式攝影機；科技藝術；數位藝術

並列摘要

Does the existentialism scholar continuously devote to describes the situation which the person exists, why the value and the existence significance which under the penetration different time space conversion exists? As well as about person external and intrinsic between because all sorts of conditions conversion creates continuously the unceasing complex situation and the entanglement, the contradictory confused state, the main body which creates as a result of such state is restless and integrated feeling losing. The existentialism penetrates such inspection to discuss "the existence", but the present paper main discussion also embarks with emphasis from here. The person penetrates the mirror to confirm own appearance, the mood feedback and own existence state, but the mirror image also shines upon one kind of completely familiar actually must completely real picture (mirror image is about inverts)：The penetration splits between the mirror image and the main body difference relations which and copies produces. On the other hand the present paper also the category which interpreted the mirror image extends to the photographic camera and the camera imagery media, pondered the penetration media copying produces between image and main body host from relations, copying image itself whether does have the possibility to substitute for the main body to become another kind of new main body? Forms one kind of brand-new reality, the penetration image spells posts with reorganizes develops another kind of fantasy situation "the familiar strange feeling" and "the strange familiar feeling". As well as after massive copying process, the main body originally exists whether the significance has been copied the image to weaken with the distortion? The present paper penetration work creation process goes to the annotation with to discuss these questions and the penetration unceasingly closely examines and returns to the new moon in the process, from Bush Asia (Jean Baudrillard) "Object Is" the work and pulls Kang (Jacques Lacan) "the mirror image phase" in the elaboration pursues the clue, the attempt reorganizes to be clear about but the clear vein and the outline． The philosopher guaranteed the Luotian to overcome (Paul Tillich) once to say: "The existence surface texture was destroyed, the framing daily experience category already lost the ability, the essential category already loses, the fixed object like rope is twisted the tune, the thing causal relation is neglected, the thing turned integrated accidental, short continuously no longer important, a matter was occurred after another matter or all no longer important, the space belongs to or the dissolve to is fearful infinite in, the life organic structure becomes by the dismemberment the individual fragment, the state which and the free again combination, the authenticity has lost which displaced the form and the essence departs from."This elaboration had very clearly pointed out several bit of images is very important unevenness, the non-linear continual causes and effects special characteristic, follows the software function the great strength, the image may the easily synthesis, spell posts, diverts, revises correct with the combination, thus creates not easily often to return to the new moon image at first original state, at the beginning of a source fact pointing to clue losing, often creates the state which the form and the essence departs from, but such departs from the state, causes the image symbol to give the person sparsely to the feeling and the trust feeling and the continuous significance fragment, the fact often also conceals behind the form, Also changes to the image main body approval along with it chaotic, image it has substituted for at the beginning of the source main body, the existence authenticity and virtual gradually blurs also without knowing where to begin distinguishes, clear referred fords the significance already to lose. Between the same present paper discusses the work "the mirror image plans to imitate (I)" and "the mirror image plans to imitate (II) "is emphatically with draws up in the research mirror image likes the relations, as well as the discussion penetrates several bit of media as the reappearance the image and the main body which lies between the surface to produce external and the intrinsic different relations, but also has the main body, the mirror image, several bit of images these three between mutually depends on for existence the relations, as well as annotation these three individual significances, even in three existences levels dialectical relations．"The mirror image plans to imitate (I)" take interacts the type multimedia as the main manifestation, in the opening animation, revolves around the mirror all around respectively has many by the different speed and the hand of rotation mirror, the mirror image has each kind of different mood, this metaphor is penetrating a reflection the mirror reproducible process, may see in person subconscious hides differently faces．The author designed many different scenes in this work, view has been allowed to use own annotation angle feels the thought in the middle of each interaction model and the situation which the author wanted to transmit, and obtained the mood feeling which many differently faced. "The mirror image plans to imitate (II)" in the installment work, has utilized the auto-induction tracing photography technology, becomes this work main interaction mode, after view enters to the installment space, the camera penetration automatic tracking program operation, starts to catch the view dynamic image, and simultaneously the image information which catches transmits in the projecting camera, therefore when view saw when on the table the mirror reflects self-image, the one side camera also can the view image projection to the wall on, therefore the mirror image and the projection image can create each other overlap the state, creates one kind of actual situation staggered feeling. Penetrates the camera the setting, the work also suggested the person is peeped at the privacy, in one kind of passive situation, the force accepts the self-privacy the public process, between the person and the science and technology produces one kind of hope penetration science and technology tool to achieve in the life the convenience, creates one kind of dependent the relations, on the other hand the technical convenience also gradually lets the person create during the life is invaded and the restless feeling, like hides the camera photographing surreptitiously to startle the guest with the network to intrude on the computer to steal the occurrence which personal information and so on condition emerges one after another incessantly, lets the person start the province to think he science and technology the role and the localization which acts in the modern society.

並列關鍵字

The mirror image ； draws up the picture ； the main body ； the reappearance ； the interaction type multimedia ； the tracing type camera ； digital art ； technology art