- 學位論文
光影與反射——尋常敘事
Reflections and the Shades of Light – An Usual Narrative
摘要
尋常生活所感覺知覺的敘事情節，在城市世界能多面向討論。特別因為錄像藝術能具備時間和空間的創作可能，我使用影像作感知的轉化。在此論文提及的作品，來自2011年至2015年間不同城市的記憶、經驗、想像，從創作的起源到敘事情節的風格建構過程，逐一解析作品，以及作品成為「作品前」語言與想像的概念，如何變形而轉化成為作品。 我的論文將從何謂「尋常敘事」、影像與「未影像」、光影與反射的符號意義、談至城市的意象，而後藉由討論風格化的創作方式做論述上的釐清與對照，重新從作品與論述的縫隙中，探尋造成自我與他人藝術間不同層面的創作觀點。其次，我將自我定位為城市的說書者與探勘者，憑藉敘事的建構模式，分析作品其表面的形塑過程，同時將敘事的主體本身-創作者，對於記憶的自我凝視與他人觀看的關聯，隱藏在不言說的創作文本之下，更多形成認知落差之失效的閱讀，如同偌大的城市空間，在敘事前與敘事後，那些等待感知的、充滿開端的象徵。
並列摘要
Narrative story of perception in usual life can be discussed through multifaceted ways in the city. It is because video art obtains the possibility to contain time and space, I used video as a conversion of perception. Artistic works mentioned in the thesis would be analyzed from the derivation of creation to the process of establishing the complex narrative style. These works were derived from different memories, experiences and imagination between 2011 and 2015. And the thesis would go on with how I expound ‘‘art works’’ and ‘‘pre-art works’’ and how they were transformed into works through my language and imagination. My thesis would discuss from “Usual Narrative”, video and pre-video, the symbolic significance of light and reflection to the imagery of a city. Then I would clarify and compare them through discussing the style of creation, rediscovering different views between me and other creators from the relationship of my works and treatise. Moreover, I made myself a storyteller and a prospector of the city by analyzing the process of shaping the surface meanwhile to associate my memory with the perception of others. To sum up, these text hided as metaphors, are aimed at making the difference from different cognition.