歷史顯像

The developer solution of history

張鳳詩(Feng-Shih Chang)

指導教授 ： 魏德樂

共同指導教授 ： 陶亞倫(Ya-Lun Tao)

國立臺北藝術大學/電影與新媒體學院展演書面報告/新媒體藝術學系碩士班/碩士(2012年)

摘要

現代生活步調過快，喪失大量人文景致與傳統，時間感與歷史感衰退。卻有復古以及懷舊熱潮讓時空錯置的經驗頻繁。數位科技普及，以虛擬影像重現往日情景的頻率增多，難以辨認真實與副本之界線。加上社會風氣的開放，後現代思潮重視文本的多義性，皆促使藝術家引用各時代檔案資料，改造眾人熟悉的影像/文本。

　　此外，發達的媒體使再現更為複雜，自各種媒體接收資訊的當代人，解讀歷史的思考已混合面對媒體態度，其對創作之影響是值得研究的課題。

　　本論述回顧了懷舊、復古流行背後的時間與記憶，歷史記憶之傳播媒介的演變，分析以歷史檔案為主要靈感的代表創作脈絡，再論及臺灣此類型的興起背景、發展趨勢與需要克服的問題，從中發現其受到集體記憶以及對陌生過往的想像而左右。並藉由筆者一系列以歷史檔案為素材，結合反覆刺激感官知覺的作品，企圖表現歷史記憶經由媒體傳遞造成的質變殘像。

　　期望本論述能讓人更加關注未來媒體環境之下歷史感與相關創作的變化。

關鍵字

顯像/顯影 ； 殘像/後像 ； 記憶/回憶 ； 歷史記憶 ； 集體記憶 ； 檔案

並列摘要

The modern life is too fast to lose lots of our culture and traditions, and to decrease our sense on time and historical memories. The craze of retro and nostalgia has made our experience of space and time staggered frequently. The digital technology has become more and more popular, also we use virtual technology to imitate historical scene as a new image has increased frequently, and it is difficult to distinguish from an original edition and a remake. The ambiguity of the text has become much important because the rising of the Postmodernism in this modern society. All of these promote the artists quote the file data from a variety of period, and then transform the famous image/text become a whole new meaning.

　　In addition, the developing media makes the reproduction more complex. The modern people receive information from a variety of media, and our interpretation of history has been mixed with our attitude on the media. This influence on creation is a topic worth of study.

　　This paper reviewed the time and memory behind nostalgia and retro pop, with the media evolution on historical memories, also analyzed creations on context of representative creation of historical archives as main inspiration; and then discussed the background of this rising situation and developing trends and the problems need to overcome in Taiwan. In this paper one can found our knowledge on history is influenced by the "collective memory" and imagination about the unfamiliar past. I used historical archives as materials, combined with repeated stimulating on sensory perceptions in my series of works, to demonstrate historical memory changed like an after-image through the transform of media.

　　I sincerely hope that this paper could make more people pay attention on our sense of historical memories changed under future media environment and I wish there will be more people follow closely to all the relational creations.

並列關鍵字

developing ； after-image ； memory ； historical memory ； collective memory ； archive

參考文獻

關永中。 (2007)。 神話與時間。 臺北市:臺灣學生書局。

余家安。 (2007)。 時間的節奏。 臺北藝術大學新媒體藝術碩士班。

劉倩雯。 (2008)。 LOMO攝影特殊色調之色彩特徵研究。 交通大學應用藝術研究所。

孫天虹。 (2007)。 史學與電子遊戲結合的嘗試：以魏晉士人家族際遇的歷史情境模擬遊戲為例。 東吳大學歷史學系碩士班。

周樑楷。 (2006年2月) 。 歷史意識是種思維的方法。擷取自 http://myweb.fcu.edu.tw/~t91093/fcu/2/paper1/Historical%20consciousness.pdf