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  • 學位論文

喬治.蓋希文歌劇《波吉與貝斯》中〈夏日時光〉的曲式分析與詮釋探討

An Analysis and Performing Interpretation of Aria Summertime from Porgy and Bess by George Gershwin

指導教授 : 蘇秀華
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摘要


美國在二零到四零年代末期經歷了美國史上最不安定的時期,全球經濟恐慌、戰亂不斷發生,本來附屬在經濟之後的文化活動,在這個時期成為枝微末節的部分。在全球經濟不景氣下,原本大成本製作的方式已不在,反而是以社會問題和哲學思想為題材的創作開始悄悄的萌芽。 自二十世紀開始,美國音樂逐漸發展出自己的獨特風格,在民族意識抬頭及爵士樂興起的影響下,美國音樂家開始探索本土音樂文化,表現出不同於歐洲傳統的音樂風格。而生長在這時期的喬治•蓋希文(George Gershwin, 1898-1937)成功的將古典及流行爵士樂融合,並成功的帶領流行音樂走入音樂廳。 喬治•蓋希文的最後作品歌劇《波吉與貝斯》(Porgy and Bess)是他將古典與流行交融的典範,本文以喬治•蓋希文《波吉與貝斯》的〈夏日時光〉(Summertime)做為主要研究目標,本論文將分為六章:第一章說明研究動機、方法,第二章闡述當時美國的歷史與音樂背景和蓋希文的生平簡述,第三章探討蓋希文音樂風格,第四章闡述《波吉與貝斯》的創作背景,第五章為〈夏日時光〉樂曲分析、詮釋探討和版本比較,第六章為結語。

並列摘要


Because the Global economic panic and World War occur repeatedly, US go through the most insecure period from 1920s to the end of 1940. The culture events which naturally rely on the support of economics continue to decline. The impact of economic depression make people start to deal with the subject of philosophic thinking and social issue rather than a big budget production. From 20th century, the impact of national consciousness and Jazz music, Americans develop their music for a unique style. They start to explore their local music culture which is different from those of European traditional music style. George Gershwin who was born in the period combines modern jazz music and classical concert music. Also he leads this kind of pop music into concert hall. The only opera of George Gershwin and also the last piece of his is Porgy and Bess which is a model of blending classical and pop music. The dissertation study primary on "summertime" of Porgy and Bess and divide into 6 parts: 1. Motivation and methodology of Research 2. American history,music background and a brief survey of George Gershwin 3. Exploring Gershwin’s music style and composition style 4. The background of Porgy and Bess 5. Analyzing, performance interpretation and comparing different version of "summertime: 6. Conclusion.

參考文獻


楊雅婷(2005)。「蓋希文氣越音越與法的風格策略—以《藍色狂想曲》、《F大調鋼琴協奏曲》與《一個美國人在巴黎》為例」,碩士論文,國立台灣大學音樂學研究所。
Harold C. Schonberg著,陳琳琳譯(1991)。《現代樂派》。台北:九大文化。
Carnovale, Norbert.George Gershwin: a bio-bibloography. Westport: GreenWood.
Peyser, Joan. The memory of all that: the life of George Gershwin. New York: Billboard Book, 1998.
Pollack, Howard. George Gershwin: his life and work. Berkeley: University of California

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