劇場的權與力--以星光劇團及其分支之活動為論述核心

A Discourse of Power / Authority in the Theatre: Centered on the Activities of Xing Guang Ju Tuan and its Branches

鄭如珊(Ju-Shan Cheng)

指導教授 ： 陳芳英

國立臺北藝術大學/戲劇學院/戲劇學系碩士班/碩士(2006年)

摘要

本論文從安德森的「想像的共同體」理論發想「權力的共同體」之可能，透
過張維賢的生命來演繹劇場內的權力特質。自星光演劇研究會起，張維賢擘建出
台灣新虜撥展的藍圖，他引領大稻埋地區青年進入演劇的空間，用本身信奉的無
政府主義思想，建築自我的烏托邦世界·本論文嘗試將這群青年歸類於「演劇型
知識份子」，從不懈的行動力與流亡心理視角，端看其行止，舉出知識份子坐牢
的宿命是他們建立自身思想完整性的契機。
本論文觀照星光劇團一系列參與的活動及其分支延續的精神，以新慮際的活
動內容與性質凸顯差異，從事比較性的論述，藉此拆解「權力的共同體」；並借
用傅科與薩伊德的權力概念，試圖揭開潛藏於社會機體中的權力作用，發覺其具
備的空間性、生產性和身體性之特質，進而想像權力的「再現」·
最終，發覺日治時期知識份子的一切行動，多肇因於「缺乏認同」的危機，
他們身心無靠，處處受阻，俾使知識份子由政治行動轉向文藝活動。經由省視權
力的所在，可揣想日治時期的知識份子並非渴望一份認同，而在找尋一種「對位
認同」，眾人只需在混雜的認同中求得同一性的原鄉，即可有所依歸，然而迄今
仍在顛簸的時代裡，尋覓這份多重認同。

關鍵字

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並列摘要

Based on the concept of Benedict Anderson's `Imagined Communities,’this
thesis tries to conjecture the possibility of ` "Power" Communities．’By getting
through Cheng Wei Man's life, the thesis is to deduce the characters of the
Power/Authority in the theater. Cheng founded the Xing Guang Ju Tuan as to be the
blueprint of Taiwan theater. He led the Youths of Ta Tao Cheng into the theater. In
addition, he built the Utopia due to his belief of Anarchism. This thesis attempts to
categorize these Youths as `the Intellectuals of Theater,’and observes that their
behaviors with the indefatigable energies and the exiled psychologies is the chance，
for their fatality to be imprisoned, to complete their own ideologies．
In order to define the“‘Power”Communities’and to compare the
differences among the Mn Ju (New Play) festivals，this thesis also pays attention to
the series of the activities that Xing Guang Ju Tuan joined in and concerns with the
spirit of its branches. Based on Foucault's and Said's concepts of `Power,’this
thesis is to disclose that the power function hides in the society with the particular
qualities of Space, Production and Body. As a result, we can imagine what the
representation of Power is.
Finally, we can make sure that all actions of the intellectuals were resulted from
the crisis of lacking identification. The intellectuals in the Japanese governance
transferred their activities from politics to art．By means of“‘Power”
Communities'，we can discover that what they longed for is the `contrapuntal
identification' instead of the `single identification.’Nevertheless, all the people
still yearn for the `multiplicate identify' up to now.

並列關鍵字

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參考文獻

林國章（2004），《民族主義與台灣抗日運動（1895-1945）》。台北：海峽學術。

彭瑞金（1991），《台灣新文學運動四十年》。台北：自立晚報。

------（1996b），〈台北新公園的情慾地理學：空間再現與男同性戀認同〉，《台灣

社會研究季刊》第22期，1 996．4。頁195∼218。

石婉舜（2002），《一九四三年台灣「厚生演劇研究會」研究》。台大戲劇所碩士