- 學位論文
殺手藍調--經驗接觸的美感
Shotgunblue -- The aesthetic experience through touching
摘要
在本篇論文中，主要針對《殺手藍調 Shotgunblue》這件作品的創作動機及過程作一完整之說明，並以這件作品為中心，反觀過去在創作中的許多想法生成，進一步描寫個人創作的過程、轉變以及影響，其中以關係美學理論之中社會交換的方法、美學經驗上的相互作用探討作品，再以Marie Sester的作品《接近 Access》來作比較探討。最後以幾位觀察我創作頗具時日之策展人及評論家的評論文章做為對照，並將觀眾在看過展覽後心得及想法放在附錄中，作為作品與觀者產生互動所得的一個參照。 在《殺手藍調 Shotgunblue》系列作品中包括互動影像裝置與影像輸出，我嘗試著用不同的媒材來詮釋表現，而這兩種形式中也將這主題帶向兩個不盡相同的探索空間，靜態影像輸出的作品偏向探討兩性的對立以及互補關係，而在影像互動裝置的版本中，進而探討人與人與環境間的交互關係。雖然作品中運用了大量的數位媒體，但最終的目的還是希望觀者在介入作品之後，省思在高科技發展以及網路普及之後人與人之間的關係。過去我的作品多以雕塑以及數位影像為主，但這件系列作品是我對人際關係觀察的進階詮釋，更進一步以影像互動裝置呈現，作品之中加入了與觀眾互動的機制，在展場的表現也更為活潑。本篇論文中針對作品軟硬體裝置、互動形式、展場環境做了許多詳細說明，也透過這件作品檢視我在直觀創作上的反思。
並列摘要
In this essay, I try to make a overall interpretation about the motivation and process of creating “Shotgunblue” and, based on this piece of work, review on the roots of my ideas of creation from the past as well as my personal growing, changes and impacts in creation. I discuss my work in accordance with society exchange methods and aesthetic experience from Relation Aesthetics and then use “Access” made by Marie Sester as an example to compare. At last, some articles by critics and curators who have been observed me for a while are addressed as comparison in this essay, and appendix some audience’s reviews after they visited the exhibition as reference resulted by interactions between the work and audience. I try to use different media to present a series of “Shotgunblue” including interactive video installation and C-print. Therefore, these two media also lead the theme of this piece to two directions: still image print is to discuss the antithesis and complementary of two sex; interactive video installation is to discover the relation between human beings and environment. Although I use lots of digital media in the work, I still hope audience to be involved in the work and start to think about the relationship between people and people under the influence of high-tech development and the popular use of internet. In the past, my works were mainly sculptures and digital images. But this piece is my advanced interpretation about human relationship and presented in interactive video installation. Mechanical installation in the work allows the audience to participate in the creation and make the work performance in a more open way in the exhibition. I describe the hardware and software of the installation, interactive format, exhibition environment in details in this essay, and I also would like to self-examine my creation based on intuition.